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Leonard's recent return is based on new generations discovering what the old guard have known for years; that Leonard Cohen is one of contemporary music's rare geniuses.\u003cbr\u003e\u003cbr\u003eBut Cohen has rarely worn his musical influences on his sleeve. So while anyone who is familiar with his work will be aware of his enormous love for the poetry of Garcia Lorca, few will know he was also influenced by the Phi Spector Sound or the country tunes of George Jones.\u003cbr\u003e\u003cbr\u003eThis CD contains 25 tracks which illustrate the diverse and often surprising selection of music that has inspired and influenced Leonard Cohen throughout his career. Giving a rare insight into the composers and performers he respected most, when hearing this compilation as a whole, the listener cannot help but be astonished at how those unique songs of Cohen's were often informed by the music he listened to prior to his own career in music began.\u003c\/p\u003e\u003ch2\u003eTrack Listing\u003c\/h2\u003e\u003cul\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eFederico Garcia Lorca - Solea Por\u003c\/li\u003e \u003cli\u003eJosh White - Careless Love\u003c\/li\u003e \u003cli\u003eFrankie Laine - Jezebel\u003c\/li\u003e \u003cli\u003eAlmanac Singers - Which Side Are You On'\u003c\/li\u003e \u003cli\u003eAnna Marly - La Complainte du Partisan\u003c\/li\u003e \u003cli\u003eThe Weavers - Goodnight Irene\u003c\/li\u003e \u003cli\u003eGene Autry - Red River Valley\u003c\/li\u003e \u003cli\u003eLes Paul \u0026amp; Mary Ford - Tennessee Waltz\u003c\/li\u003e \u003cli\u003eThe Ronettes - Be My Baby\u003c\/li\u003e \u003cli\u003eGeorge James - Just One More\u003c\/li\u003e \u003cli\u003eThe Platters - The Great Pretender\u003c\/li\u003e \u003cli\u003eThe Righteous Brothers - Unchained Melody\u003c\/li\u003e \u003cli\u003eRay Charles - What'd I Say\u003c\/li\u003e \u003cli\u003eHank Ballard - The Twist\u003c\/li\u003e \u003cli\u003eAllen Ginsberg - Supermarket In California\u003c\/li\u003e \u003cli\u003eJudy Collins - Turn! Turn! Turn!\u003c\/li\u003e \u003cli\u003eAlberta Hunter - Downhearted Blues\u003c\/li\u003e \u003cli\u003eBob Dylan - Jokerman\u003c\/li\u003e \u003cli\u003eJack Kerouac - Deadbelly\u003c\/li\u003e \u003cli\u003eJack Kerouac - Charlie Parker\u003c\/li\u003e \u003cli\u003eJoni Mitchell - California\u003c\/li\u003e \u003cli\u003eJanis Joplin - Get It While You Can\u003c\/li\u003e \u003cli\u003eBillie Holiday - Gloomy Sunday\u003c\/li\u003e \u003cli\u003eJoan Baez - I Shall Be Released\u003c\/li\u003e \u003cli\u003eHank Williams - Your Cheatin' Heart\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eAdditional Details\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrome Dreams\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Pop\/Rock\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 73 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12\/02\/14\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564614427\u003c\/p\u003e ","brand":"CHROME DRE","offers":[{"title":"Default Title","offer_id":5153520769,"sku":"CDCD5034","price":3.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/CDCD5034.jpg?v=1712100749"},{"product_id":"nick-drakes-jukebox-cd","title":"Nick Drake's Jukebox (CD)","description":"\u003ch1\u003e24 songs that influenced and inspired one of British folk's most legendary figures\u003c\/h1\u003e\u003cp\u003eOne of contemporary music's true originals, the inimitable songs of Nick Drake are often difficult to imagine having been influenced by anyone but himself. But as with all true musical giants, Drake's compositions and style were informed by a diverse range of musicians, songwriters and performers who came before.\u003cbr\u003e\u003cbr\u003eFrom the sublime finger-picking and glorious tunes of the wholly under-rated Bert Jansch to the country blues styles of Big Bill Broonzy and Reverend Gary Davis - via Donovan, The Yardbirds and Miles Davis, he listened to all of them and many others besides. The inspiration these mavericks provided motivated the often manically depressed Nick Drake into writing , recording and, on the very rare occasion, performing some of the most beautiful music ever written - albeit, tragically, the process would contribute in no small way to his untimely death at the age of just 26.\u003cbr\u003e\u003cbr\u003eThis compilation traces the roots of Nick Drake's astonishing music and features all of the above mentioned artists and many others - with 24 superb and moving tracks in all. 24 tracks which now can be appreciated all together on this collection, enabling the appreciation of where this mysterious and legendary figure found much of his musical muse and hopefully, for a man often tortured by his own existence, at least a little comfort.\u003c\/p\u003e\u003ch2\u003eTrack Listing\u003c\/h2\u003e\u003cul\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eLouis Armstrong - St James Infirmary \u003c\/li\u003e \u003cli\u003eThe Yardbirds - Heart Full Of Soul \u003c\/li\u003e \u003cli\u003eBukka White - Parchman Farm\u003c\/li\u003e \u003cli\u003eOdetta - Gallows Tree \u003c\/li\u003e \u003cli\u003eMiles Davis - Blue In Green \u003c\/li\u003e \u003cli\u003eJosh White - Careless Love\u003c\/li\u003e \u003cli\u003eBrownie McGhee - Betty and Dupree \u003c\/li\u003e \u003cli\u003eJoÃÂ£o Gilberto - Chega de Saudade \u003c\/li\u003e \u003cli\u003eBillie Holiday - Summertime\u003c\/li\u003e \u003cli\u003eDave Van Ronk - If You Leave Me Pretty Mama \u003c\/li\u003e \u003cli\u003eDave Van Ronk - Black Mountain Blues \u003c\/li\u003e \u003cli\u003eBlind Boy Fuller - Little Woman Your So Sweet \u003c\/li\u003e \u003cli\u003eRamblinÃ¢â¬â¢ Jack Elliott - Cocaine Blues\u003c\/li\u003e \u003cli\u003eReverend Gary Davis - Samson and Delilah\u003c\/li\u003e \u003cli\u003eDonovan - Guinevere \u003c\/li\u003e \u003cli\u003eBob Dylan - Girl From The North Country \u003c\/li\u003e \u003cli\u003eWoody Guthrie - Gypsy Davey \u003c\/li\u003e \u003cli\u003ePete Seeger - Black Girl \u003c\/li\u003e \u003cli\u003ePhil Ochs - I Ain't Marching Anymore \u003c\/li\u003e \u003cli\u003eBascom Lamar Lunsford - I Wish I Was a Mole In The Ground \u003c\/li\u003e \u003cli\u003eBert Jansch - Blackwaterside\u003c\/li\u003e \u003cli\u003ePentangle - Wedding Dress \u003c\/li\u003e \u003cli\u003eBig Bill Broonzy - When Do I Get To Be Called a Man\u003c\/li\u003e \u003cli\u003eRobert Johnson - Hellhound On My Trail \u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eAdditional Details\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrome Dreams\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Pop\/Rock\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 69 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 06\/09\/15\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564614724\u003c\/p\u003e ","brand":"CHROME DRE","offers":[{"title":"Default Title","offer_id":5153520833,"sku":"CDCD5036","price":3.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/CDCD5036.jpg?v=1712100752"},{"product_id":"bob-dylan-the-band-basement-tapes-influences-cd","title":"Bob Dylan \u0026 The Band - Basement Tapes Influences (CD)","description":"\u003ch1\u003eCD compilation bringing together the originals versions of 26 tracks from Bob Dylan \u0026amp; The Band's 'The Basement Tapes'.\u003c\/h1\u003e\u003cp\u003eThe recordings that took place during 1967 in the quiet backwaters of upstate New York, near the town of Woodstock, probably represent Bob Dylan's most productive song writing period to date.\u003cbr\u003e\u003cbr\u003eIn March of 1967, almost nine months after falling from his motorcycle, Dylan recommenced music-making and in May\/June he began recording informal sessions with the Hawks - soon to become The Band - in the 'Red Room' at his Byrdcliffe home. The distractions of family life soon became too much however and the musicians relocated to the unremarkable pink painted property that would come to be known as 'The Big Pink'. Dylan would later tell Rolling Stone, 'That's really the way to do a recording, in a peaceful, relaxed setting in somebody's basement. With the windows open... and a dog lying on the floor.' Working in their makeshift studio became a daily ritual and between June and late October '67, the musicians committed well over a 100 songs to tape.\u003cbr\u003e\u003cbr\u003eThe sessions, which would become known as 'The Basement Tapes', produced a kaleidoscope of American music and more. Alongside the tracks composed by Dylan, the musicians summoned up cowboy songs ('Cool Water'); sea shanties ('Bonnie Ship The Diamond'); blues (John Lee Hooker's 'I'm In The Mood'), country (Hank Williams and lots of Johnny Cash) and several traditional songs ('The Trees They Do Grow High', 'Hills Of Mexico'). Guitarist Robbie Robertson told Greil Marcus: '[Dylan] would pull these songs out of nowhere. We didn't know if he wrote them or if he remembered them. When he sang them you couldn't tell.'\u003cbr\u003e\u003cbr\u003eThis CD compilation collects together the originals - or the version that Dylan likely knew - of 26 of the tracks recorded during this sublime period of creativity, undertaken while the majority of American and British act were dabbling in acid fuelled psychedelia, the majority of which today sounds nothing but dated.\u003c\/p\u003e\u003ch2\u003eTrack Listing\u003c\/h2\u003e\u003cul\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eThe Trees They Do Grow High\u003c\/li\u003e \u003cli\u003eThe Hills Of Mexico\u003c\/li\u003e \u003cli\u003eBe Careful Of Stones That You Throw\u003c\/li\u003e \u003cli\u003eA Fool Such As I\u003c\/li\u003e \u003cli\u003eSilhouettes\u003c\/li\u003e \u003cli\u003eBonnie Ship The Diamond\u003c\/li\u003e \u003cli\u003eI Don't Hurt Anymore\u003c\/li\u003e \u003cli\u003eSpanish Is The Loving Tongue\u003c\/li\u003e \u003cli\u003eRosin le Beau\u003c\/li\u003e \u003cli\u003e900 Miles\u003c\/li\u003e \u003cli\u003eCool Water\u003c\/li\u003e \u003cli\u003eGoin' Down TheRoad Feelin' Bad\u003c\/li\u003e \u003cli\u003ePo' Lazarus\u003c\/li\u003e \u003cli\u003eI Forgot To Remember To Forget\u003c\/li\u003e \u003cli\u003eYou Win Again\u003c\/li\u003e \u003cli\u003eWaltzin' With Sin\u003c\/li\u003e \u003cli\u003eBig River\u003c\/li\u003e \u003cli\u003eFolsom Prison Blues\u003c\/li\u003e \u003cli\u003eThe Bells Of Rhymney\u003c\/li\u003e \u003cli\u003eTupelo Blues\u003c\/li\u003e \u003cli\u003eI'm In The Mood\u003c\/li\u003e \u003cli\u003eYa Gotta Quit Kickin' My Dog Aroun' Gid Tanner\u003c\/li\u003e \u003cli\u003eAll American Boy\u003c\/li\u003e \u003cli\u003eWildwood Flower\u003c\/li\u003e \u003cli\u003eConfidential\u003c\/li\u003e \u003cli\u003eSee That My Grave Is kept Clean\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eAdditional Details\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrome Dreams\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Pop\/Rock\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 76 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 04\/09\/13\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564629728\u003c\/p\u003e ","brand":"CHROME DRE","offers":[{"title":"Default Title","offer_id":5153529473,"sku":"CDCD5092","price":2.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/CDCD5092.jpg?v=1712100814"},{"product_id":"bob-dylan-portrait-of-dylan-cd","title":"Bob Dylan - Portrait Of Dylan (CD)","description":"\u003ch1\u003e28 track compilation of the original versions of songs Bob Dylan covered during recording sessions for 'Self Portrait'.\u003c\/h1\u003e\u003cp\u003eAlthough only two months had passed since the completion of 'Nashville Skyline', April 24, 1969 saw Bob Dylan return to Nashville's Columbia Music Row Studios for the first of the six sessions to record the double album 'Self Portrait'. The three sessions that took place in Nashville spanned nine days, but it would be eleven months before Dylan completed the album with a further three sessions recorded over three days in Columbia's New York studios.\u003cbr\u003e\u003cbr\u003eWithin two months of completing 'Self Portrait' Dylan commenced work on his next album, 'New Morning'. Some of the tracks recorded during the sessions for these two albums would later be released by Columbia on the 1973 'Dylan' album in 'revenge' for his leaving the label to join David Geffen's Asylum Records.\u003cbr\u003e\u003cbr\u003eThe 28 tracks included on this collection are original versions of songs covered by Dylan during these sessions (April 1969 - June 1970) - albeit in many cases not released at the time. Encompassing a rich tapestry of American Roots music with excursions into country, blues, folk, rock \u0026amp; roll, soul and other genres, this was clearly a period when Bob was harking back to his earliest musical inspirations - perhaps why, for many, his cover versions were the best part of his output during this era.\u003c\/p\u003e\u003ch2\u003eTrack Listing\u003c\/h2\u003e\u003cul\u003e\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eLittle Jimmy Dickens - Take Me As I Am (Or Let Me Go)\u003c\/li\u003e \u003cli\u003eHank Snow - (Now And Then, There's) A Fool Such As I\u003c\/li\u003e \u003cli\u003eThe Davis Sisters - I Forgot More Than You'll Ever Know\u003c\/li\u003e \u003cli\u003eThe Everly Brothers - Let It Be Me\u003c\/li\u003e \u003cli\u003eThe Everly Brothers - Take a Message To Mary\u003c\/li\u003e \u003cli\u003eJohnny Cash - Folsom Prison Blues\u003c\/li\u003e \u003cli\u003eJudy Collins - Pretty Saro\u003c\/li\u003e \u003cli\u003eClarence Ashley - Little Sadie\u003c\/li\u003e \u003cli\u003eJoan Baez - Copper Kettle\u003c\/li\u003e \u003cli\u003eElmore James - It Hurts Me Too\u003c\/li\u003e \u003cli\u003ePaul Clayton - Railroad Bill\u003c\/li\u003e \u003cli\u003eJean Ritchie - House Carpenter\u003c\/li\u003e \u003cli\u003eDave Van Ronk - Tell Old Bill\u003c\/li\u003e \u003cli\u003eLogan English - Days Of '49\u003c\/li\u003e \u003cli\u003eBob Gibson - Alberta\u003c\/li\u003e \u003cli\u003ePete Seeger - Come All You Fair Maids\u003c\/li\u003e \u003cli\u003eBilly Grammer - Gotta Travel On\u003c\/li\u003e \u003cli\u003eSam Cooke - Cupid\u003c\/li\u003e \u003cli\u003eThe Everly Brothers - All I Have To Do Is Dream\u003c\/li\u003e \u003cli\u003eCarl Perkins - Your True Love\u003c\/li\u003e \u003cli\u003eJimmy Ã¢â¬ËCÃ¢â¬â¢ Newman - Alligator Man\u003c\/li\u003e \u003cli\u003ePeter La Farge - Ira Hayes\u003c\/li\u003e \u003cli\u003eOdetta - Saro Jane\u003c\/li\u003e \u003cli\u003eHarry Belafonte - Jamaica Farewell\u003c\/li\u003e \u003cli\u003eElvis Presley - Can't Help Falling In Love\u003c\/li\u003e \u003cli\u003eLefty Frizzell - Long Black Veil\u003c\/li\u003e \u003cli\u003eJoan Baez - Lily Of The West\u003c\/li\u003e \u003cli\u003eLead Belly - Bring Me a Li'l Water, Silvy\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eAdditional Details\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrome Dreams\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Pop\/Rock\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 79 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/11\/14\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564634326\u003c\/p\u003e ","brand":"CHROME DRE","offers":[{"title":"Default Title","offer_id":5153531393,"sku":"CDCD5101","price":2.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/CDCD5101.jpg?v=1712100841"},{"product_id":"bob-dylan-rome-press-conference-cd","title":"Bob Dylan - Rome Press Conference (CD)","description":"\u003ch1\u003eThe notoriously hostile Bob Dylan offers a fascinating insight into his career as he chats intimately with a select few.\u003c\/h1\u003e\u003cp\u003eRarely, in the decades preceding the third Millennium did Bob Dylan shown much enthusiasm for press interviews and conferences, and often would disguise his displeasure of such events by using sarcasm, cynicism or, on occasion, downright hostility. But while on tour in Europe during June and July 2001, Bob gave a press conference to a small and select gathering of European journalists during which he appeared to change his attitude to such events and begin to relax and enjoy proceedings.\u003cbr\u003e\u003cbr\u003eThe conference presented here, almost in its entirety (mumblings, pauses and other vague distractions have been edited out for obvious reasons), took place on July 23, 2001, and was given to promote the upcoming release of his album 'Love and Theft'. The interview took place on a glorious sunny afternoon in the Hotel de la Ville in Rome, situated on Via Sistina at the top of the Spanish Steps. There were thirteen journalists present representing the press from twelve countries.\u003cbr\u003e\u003cbr\u003eDylan entered the room fifteen minutes late, dressed in black and white and looking like a 'gentleman from the Old West'. Those assembled were seated on sofas; Dylan sat opposite them, bolt upright on the very edge of his seat, behind a wall of microphones and tape recorders. The questions covered a wide range of topics and were not merely confined to 'Love and Theft'. What is astonishing about this recording is the relaxed atmosphere, the ease with which Bob chats almost intimately with those gathered, and most notably, the sense that he is actually enjoying the conference, an attitude far removed from the man's notorious dislike of press interviews. 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