{"title":"Deaf Crocodile","description":"","products":[{"product_id":"trapped-ashes-4k-uhd-blu-ray-4k-ultra-hd","title":"Trapped Ashes (4k UHD + Blu-ray) (4K Ultra HD)","description":"\u003ch1\u003eSurreal and macabre anthology horror directed by Joe Dante, Ken Russsell, Monte Hellman and others.\u003c\/h1\u003e \u003cp\u003eTRAPPED ASHES, 2006, 105 min.  In the twisted tradition of classic anthology horror films such as TALES FROM THE CRYPT, CREEPSHOW and BLACK SABBATH, TRAPPED ASHES features stories of the surreal, macabre and bizarre, helmed by five of Hollywood's most unique directors: Joe Dante (GREMLINS, THE HOWLING), Ken Russell (ALTERED STATES, THE DEVILS), Monte Hellman (TWO-LANE BLACKTOP), Sean Cunningham (FRIDAY the 13th), and John Gaeta (Academy Award winner, Visual Effects on THE MATRIX) - and produced \u0026amp; written by Deaf Crocodile's own Dennis Bartok!  Seven strangers (including legendary character actors John Saxon and Henry Gibson) are trapped inside an infamous Roger Corman\/AIP-style House of Horrors during a Hollywood movie studio tour and forced to confess their most disturbing personal memories.  In Ken Russell's 'The Girl with Golden Breasts,' a struggling actress (Rachel Veltri) decides to get gel implants made from reprocessed human cadavers - with monstrous results for her and her boyfriend (Jayce Bartok).  In Sean Cunningham's 'Jibaku,' an unhappily married woman (Lara Harris) and her architect husband (Scott Lowell) have a nightmarish encounter with a dead monk on a visit to Japan.  In Monte Hellman's 'Stanley's Girlfriend' (Official Selection, 2006 Cannes Film Festival), two ambitious young filmmakers become unlikely friends in 1950s Hollywood:  Leo (Tahmoh Penikett), writer of sadistic B-pictures like 'The Strangler,' and a soon-to-be-famous director named Stanley Kubrick (Tygh Runyan).  When they both fall in love with the same enigmatic woman (Amelia Cooke), it unleashes a decades-long mystery involving desire and celluloid.  And in John Gaeta's 'My Twin, The Worm,' a young Goth woman (Michele-Barbara Pelletier) reveals the horrific, Cronenberg-like tale of the inhuman 'twin' that grew alongside her in her mother's womb.  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Dir. t.o.L.  Arguably the only anime ever made inspired by both Hello Kitty and Thomas Pynchon's The Crying of Lot 49,  TAMALA 2010 is a futuristic techno fever dream that flows back and forth in time, following the adorable wide-eyed kitty Tamala on her home world of Meguro City, Cat Earth, a BLADE RUNNER-like mega-city controlled by the Catty \u0026amp; Co. corporation.  Escaping into space, she's waylaid by the God of Death and crash-lands near Hate City on the Planet Q, where she meets a new boyfriend, goes bowling and shopping in a thrift store - and realizes she may be the latest reincarnation of an ancient Greek cat cult with ties to the omnipresent Catty \u0026amp; Co.  A heady, conceptual work of psychedelic sci-fi, influenced by the style of classic manga and anime such as Osamu Tezuka's Astro Boy and Takashi Murakami's postmodern art movement Superflat, TAMALA 2010 is also a savage take on modern consumer culture:  in Meguro City a giant Colonel Sanders stalks the streets with an axe buried in his head, and Tamala's eerie cat's eyes are everywhere, advertising chocolate, toothpaste and drugs for forgetfulness.  Written, directed and composed by the two-person team of t.o.L. - their incredibly addictive electronica \/ space-lounge score is worth the price of admission alone - TAMALA 2010 is equal parts Philip K. Dick, METROPOLIS and A CLOCKWORK ORANGE (with a few sly nods to THE SHINING thrown in for good measure.)  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In Japanese with simultaneous English translation by Christian Storms\u003c\/li\u003e\n\u003cli\u003e‘Doesn’t She Ever Die?’ The Punkification of Late Capitalism” - New visual essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Béatrice Dalle\u003c\/li\u003e\n\u003cli\u003e      Hisayo Mochizuki\u003c\/li\u003e\n\u003cli\u003e      Shinji Takeda\u003c\/li\u003e\n\u003cli\u003e      Takeshi Katô\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e t.o.L\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Anime\/Manga\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Japanese  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 92 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 860012020492\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645562511609,"sku":"DC-028CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-028CD_2c64d41e-deac-44ea-b8ed-22d0906af5c2.jpg?v=1731754086"},{"product_id":"felidae-4k-uhd-blu-ray-4k-ultra-hd","title":"Felidae (4k UHD + Blu-ray) (4K Ultra HD)","description":"\u003ch1\u003eThe long sought-after German animated mystery about a series of unexplained murders among a group of domestic cats\u003c\/h1\u003e \u003cp\u003eFELIDAE (1994, Wild Bunch Germany, 82 min.).  'Oh no, stranger.  The dead come to me,' whispers Jesaja, the cat Guardian of the Dead in the skeleton-filled catacombs and labyrinths of director Michael Schaack's brilliant and surprisingly graphic animated feature about a grisly series of unsolved murders among a group of domestic cats.  ('Felidae' is the scientific name for cats.)  A combination feline detective story, Gothic mystery and occult horror, FELIDAE follows green-eyed protagonist Francis (voiced by Ulrich Tukur) and his grizzled, one-eyed companion Blaubart (voiced by Mario Adorf) as they unravel the killings stretching back decades, involving death cults, genetic experimentation and a mysterious martyr religion.  One of the most sought-after titles among world animation fans and never before officially released in the U.S., FELIDAE marries the dark, adult themes and nightmarish imagery of PLAGUE DOGS and WATERSHIP DOWN with the family-friendly animation style of Don Bluth circa THE SECRET OF NIMH.  Be forewarned, though:  this is not a kids' animated movie - FELIDAE features R-rated language and cat-themed slang (humans are dissed as merely 'can openers'), bloody dissections and even simulated cat sex.  'Truly this activity was beyond The Aristocats', as the narrator purrs.  Newly scanned and restored in 4K from the original camera negative and sound elements by Deaf Crocodile for this release, FELIDAE finally emerges as one of the great animated features made for adults from the past thirty years.  Also featuring the voices of Klaus Maria Brandauer, Wolfgang Hess and Helge Schneider - and a theme song by Boy George!  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Part Kafka, part Agatha Christie and part Monty Python, director Karen Shakhnazarov's surreal satire of Communism follows an Everyman engineer named Varakin (Leonid Filatov) who arrives in a remote city where nothing quite makes sense, but everyone acts as if it does.  He's quickly drawn into the investigation of the suicide (or possibly murder?) of a local restaurant chef, Nikolaev - who may (or may not) be Varakin's missing father.  The more complex and absurdist the mystery becomes, the more poignant and plaintive Varakin's predicament - 'I have to get back to Moscow,' he pleads to no avail.   Along the way we're treated to a bizarre and wonderful sideshow of non sequiturs out of a Wes Anderson film, including an underground museum filled with a thousand years of real and imagined Russian history ('Here's the pistol with which Urusov shot the False Dimitry II.')  Frozen in time, frozen far beneath the surface, the waxwork figures are strangely beautiful and forlorn, like Shakhnazarov's marvelous and enigmatic satire of Soviet bureaucracy.  With music by the great Eduard Artemyev (SOLARIS, STALKER).  A Deaf Crocodile release in association with Seagull Films.  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Dirs. Miloš Makovec, Jiří Brdečka and Evald Schorm.  In the vein of horror anthologies like Bava's BLACK SABBATH, the long-unseen PRAGUE NIGHTS is a gorgeous and supernatural vision of ancient and modern Prague:  caught between Mod Sixties fashions and nightmarish Medieval catacombs, and filled with Qabbalistic magic, occult rituals, clockwork automatons and satanic visitors.  A stuffy middle-aged foreigner, a businessman named Fabricius (Miloš Kopecký), lonely and looking for a night's diversion, finds it in the form of a mysterious blonde, Zuzana (Milena Dvorská).  In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession.  In director Jiří Brdečka's stunning 'The Last Golem,' a young rabbi (Jan Klusák) struggles to fashion a massive, silent giant out of living clay - until he's distracted by a mute servant girl (Lucie Novotná).   Utterly hypnotic and dreamlike, set to a haunting chorus of ghostly voices, 'The Last Golem' ranks with Fellini's 'Toby Dammit' in SPIRITS OF THE DEAD as one of the finest supernatural short tales of the decade.  In the second episode, 'Bread Slippers,' an 18th-century countess (Teresa Tuszyńska) indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids - until a mysterious visitor (Josef Somr) whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her.   In the final story, 'Poisoned Poisoner,' a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat 60s Czech Pop songs (scored by the renowned Zdeněk Liška).  A true rediscovery for horror and fantasy fans and lovers of the occult, PRAGUE NIGHTS has been restored for its first-ever U.S. release by the Národní filmový archiv, Deaf Crocodile Films and Comeback Company.  In Czech with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Q5F4U2jdZVc\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew video interview with Czech film critic and screenwriter Tereza Brdečka on her father, Jiří Brdečka (co-director and co-writer of PRAGUE NIGHTS), covering his famed career as a filmmaker, animator \u0026amp; screenwriter\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by Tereza Brdečka and Czech film expert Irena Kovarova of Comeback Company\u003c\/li\u003e\n\u003cli\u003eTwo superb and haunting Jiří Brdečka animated short films: “Pomsta” (Revenge) (1968, 14 min.) and “Jsouc na řece mlynář jeden” (There Was a Miller On a River) (1971, 11 min.)\u003c\/li\u003e\n\u003cli\u003eNew essay by Tereza Brdečka on the making of PRAGUE NIGHTS\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew art by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Jan Klusák\u003c\/li\u003e\n\u003cli\u003e      Jana Brezková\u003c\/li\u003e\n\u003cli\u003e      Jirí Hrzán\u003c\/li\u003e\n\u003cli\u003e      Jirí Tomek\u003c\/li\u003e\n\u003cli\u003e      Josef Abrhám\u003c\/li\u003e\n\u003cli\u003e      Josef Somr\u003c\/li\u003e\n\u003cli\u003e      Lucie Novotná\u003c\/li\u003e\n\u003cli\u003e      Martin Ruzek\u003c\/li\u003e\n\u003cli\u003e      Milena Dvorská\u003c\/li\u003e\n\u003cli\u003e      Milena Zahrynowska\u003c\/li\u003e\n\u003cli\u003e      Miloš Kopecký\u003c\/li\u003e\n\u003cli\u003e      Teresa Tuszyńska\u003c\/li\u003e\n\u003cli\u003e      Václav Kotva\u003c\/li\u003e\n\u003cli\u003e      Yvetta Simonová\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Evald Schorm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Jiří Brdečka \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Miloš Makovec\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Horror\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Czech  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 99 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 03\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568057\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645563625721,"sku":"DC-012CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-012CD_4e41802c-d6a9-4a84-9545-f0fcd73cae2b.jpg?v=1734453105"},{"product_id":"the-mysterious-castle-in-the-carpathians-blu-ray","title":"The Mysterious Castle In The Carpathians (Blu-ray)","description":"\u003ch1\u003eBased on a Jules Verne novel, this cult Czech mystery mixes Gothic fiction, steampunk gadgetry, opera and slapstick comedy.\u003c\/h1\u003e \u003cp\u003eTHE MYSTERIOUS CASTLE IN THE CARPATHIANS (TAJEMSTVÍ HRADU V KARPATECH), 1981, Czechoslovakia, 97 min.  A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský's wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and 'The Benny Hill Show.'  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count's lost lover, opera singer Salsa Verde (Evelyna Steimarová) - only to discover she's been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs - 'Later, in Werewolfston', an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball - MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.)  In Czech with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zca9nCm8McY\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew Restoration of MYSTERIOUS CASTLE by Craig Rogers for Deaf Crocodile\u003c\/li\u003e\n\u003cli\u003eNew video interview with Czech film critic and screenwriter Tereza Brdečková on her father, Jiří Brdečka, writer of MYSTERIOUS CASTLE. (In English)\u003c\/li\u003e\n\u003cli\u003eNew essay by film historian and expert on Eastern European cinema Jonathan Owen\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by Tereza Brdečková and Czech film expert Irena Kovarova of Comeback Company\u003c\/li\u003e\n\u003cli\u003eTwo eerie and stunningly beautiful Jiří Brdečka animated short films: Vzducholoď a láska (Love and the Dirigible) (1948, 9 min.) and Třináctá komnata prince Měděnce (Prince Copperslick aka Prince Měděnec’s Thirteenth Chamber) (1980, 9 min.) Both in Czech \u003c\/li\u003e\n\u003cli\u003eUNIVERSUM BRDEČKA (2017, 84 min., dir. Miroslav Janek), a feature length documentary on the life and career of filmmaker, animator, screenwriter and illustrator Jiří Brdečka, covering his childhood, his work as a screenwriter with Jiří Trnka, Karel Zeman \u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew cover artwork by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Evelyna Steimarová\u003c\/li\u003e\n\u003cli\u003e      Michal Dočolomanský\u003c\/li\u003e\n\u003cli\u003e      Miloš Kopecký\u003c\/li\u003e\n\u003cli\u003e      Rudolf Hrušínský\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Jan Svankmajer\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Oldřich Lipský\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Comedy\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Czech  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 97 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 03\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568040\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645563887865,"sku":"DC-018CD","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-018CD_15bd9195-9441-4802-947e-0cbd6d0a85e4.jpg?v=1734453108"},{"product_id":"kin-dza-dza-blu-ray","title":"Kin-Dza-Dza! (Blu-ray)","description":"\u003ch1\u003eDirector Georgiy Daneliya's existential Soviet-era sci-fi comedy hailed as \"possibly the most underrated sci-fi film of the past 50 years.\"\u003c\/h1\u003e \u003cp\u003eKIN-DZA-DZA! - 1986, Mosfilm, 135 min.  Dir. Georgiy Daneliya.  Imagine Andrei Tarkovsky circa SOLARIS directing Douglas Adams' The Hitchhiker's Guide to the Galaxy and you'll come close to the existential weirdness of the wonderfully loopy Soviet-era sci-fi comedy KIN-DZA-DZA!  Two average Muscovites - a plainspoken construction foreman (Stanislav Lyubshin) and a Georgian violin student (Levan Gabriadze) - encounter an odd homeless man on the street who asks, 'Tell me the number of your planet in the Tentura?'  In a flash, they're teleported across the universe to the planet Pluke in the Kin-Dza-Dza galaxy - a Tatooine-like desert world whose inhabitants are hilariously noncommunicative (their main words are 'ku' for good and 'kyu' for very bad) and where common wooden matches are tremendously valuable. A deadpan, absurdist mixture of Kurt Vonnegut, Monty Python, Samuel Beckett and Jodorowsky's never-made Dune where alien cultures are even more haphazard and WTF? than our own, the film is also a savage satire of bureaucratic idiocy and dysfunction no matter what political system you're living under - or what planet you're living on.  Recently restored by Mosfilm for its first-ever U.S. release by Deaf Crocodile and Seagull Films.  In Russian with English subtitles.  'Possibly the most underrated science fiction film of the past 50 years ... A collapsed Ferris wheel provides a home for destitute desert dwellers. Graves are marked by balloons containing the deceased's final breath. The colour of your trousers signifies social status, so they are powerful barter items... There is no convoluted plot, but instead a convoluted universe, and its incredulous victims ready to point out the farcicality therein.' - Joel Blackledge, Little White Lies\u003cbr\u003e\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cjgucYgWIoQ\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew restoration from the original camera negative and sound elements by Mosfilm.\u003c\/li\u003e\n\u003cli\u003eNew hour-long video interview with lead actor Leo Gabriadze about the making of KIN-DZA-DZA! and the contributions of his father, co-writer Rezo Gabriadze, moderated by Dennis Bartok of Deaf Crocodile\u003c\/li\u003e\n\u003cli\u003eNew video interview about KIN-DZA-DZA! and the rich history of Soviet science-fiction cinema with comics artist (Swamp Thing), film historian and author Stephen R. Bissette, moderated by Dennis Bartok\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film critic Walter Chaw (Film Freak Central)\u003c\/li\u003e\n\u003cli\u003eNew written essay by film historian Justin Humphreys (George Pal: Man Of Tomorrow)\u003c\/li\u003e\n\u003cli\u003e'Got a Match? On Vodka and Vinegar at the End of History'- New video essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew art by Lucas Peverill and Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Levan Gabriadze\u003c\/li\u003e\n\u003cli\u003e      Stanislav Lyubshin\u003c\/li\u003e\n\u003cli\u003e      Evgeniy Leonov\u003c\/li\u003e\n\u003cli\u003e      Yuriy Yakovlev\u003c\/li\u003e\n\u003cli\u003e      Olga Mashnaya\u003c\/li\u003e\n\u003cli\u003e      Irina Shmelyova\u003c\/li\u003e\n\u003cli\u003e      Lev Perfilov\u003c\/li\u003e\n\u003cli\u003e      Anatoliy Serenko\u003c\/li\u003e\n\u003cli\u003e      Aleksandra Dorokhina\u003c\/li\u003e\n\u003cli\u003e      Olesya Ivanova\u003c\/li\u003e\n\u003cli\u003e       Tatyana Novitskaya\u003c\/li\u003e\n\u003cli\u003e      Valentin Bukin\u003c\/li\u003e\n\u003cli\u003e      Yuriy Voronkov\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Georgiy Daneliya\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Sci Fi\/Fantasy\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Russian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 135 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 03\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568026\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645564510457,"sku":"DC-022CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-022CD_240cd034-3ba8-421b-9d3d-6e0ca653f686.jpg?v=1734453112"},{"product_id":"the-outcasts-blu-ray","title":"The Outcasts (Blu-ray)","description":"\u003ch1\u003eLong-lost Irish Folk Horror about a young woman accused of witchcraft in early 19th century rural Ireland\u003c\/h1\u003e \u003cp\u003eTHE OUTCASTS (1982, 95 min.)  'In the dark she felt the key turning in the latch and a voice spoke to her: open the door', whispers Maura (Mary Ryan), the odd, intense daughter of an impoverished rural family in early 1800s Ireland who is accused of witchcraft after she's seen consorting in the woods with a conjurer and fiddle player named Scarf Michael (Mick Lally).  Her neighbors and even her own family become increasingly consumed by fear and superstition, as Maura starts to experience surreal, poetic flashes of her latent abilities.  A major rediscovery for fans of folklore, fantasy and folk horror, THE OUTCASTS was the first feature directed by Robert Wynne-Simmons, famed for his work as writer on BLOOD ON SATAN'S CLAW.  THE OUTCASTS plays like an ancient ballad somehow captured on film, filled with the sorcery of earth and woods, musicians hooded in pagan straw masks and skirts, prejudice, myth, religion and yes, ghosts - and everywhere the peat and the mud and the bone-chilling cold.  'There's a queer sweetness in the air.  It's an unnatural state of affairs,' as one character murmurs.  Ryan delivers an unforgettable performance as Maura with her piercing, raven-like beauty, matched by Lally as the nearly-mythic Scarf Michael.  Co-starring Cyril Cusack, with a superb, lyrical score by acclaimed traditional folk composer and guitarist Steve Cooney.   Recently restored by the Irish Film Institute, THE OUTCASTS emerges as one of the great gems of Irish cinema - released for the first time ever in the U.S. by Deaf Crocodile.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/1012240332?share=copy\" target=\"_blank\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e   \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew video interview with director\/writer Robert Wynne-Simmons\u003c\/li\u003e\n\u003cli\u003eNew video interview with composer Steve Cooney\u003c\/li\u003e\n\u003cli\u003eNew Commentary by producer and professor Rod Stoneman, former head of Bord Scannán na hÉireann\/ the Irish Film Board\u003c\/li\u003e\n\u003cli\u003eUltra-rare early 8mm short films by Robert Wynne-Simmons:\u003c\/li\u003e\n\u003cli\u003e   “L’Eredita di Diavolo” (1962, 15 min.) – eerie ghost story shot in a derelict mansion once owned by Percy and Mary Shelley (Frankenstein)\u003c\/li\u003e\n\u003cli\u003e   “The Greatest All-Star Advertial Of All Time” (1963, 2 min.) – this madcap comic short features (incredibly) Charlton Heston, Michael Redgrave and a young Peter O'Toole!\u003c\/li\u003e\n\u003cli\u003e   “Bomb Disposal” (1963, 5 min.) featuring a cameo by Sammy Davis Jr.\u003c\/li\u003e\n\u003cli\u003e   “The Scrolls” (1964, 25 min.) – Wynne-Simmons’ most ambitious early film has surreal overtones of 1960s series such as “The Prisoner” and “The Avengers”\u003c\/li\u003e\n\u003cli\u003e“The Judgement Of Albion – Prophecies of William Blake” (1968, 26 min.) Wynne-Simmons’ tribute to the visionary poet and artist William Blake. (Courtesy of Robert Wynne-Simmons and the British Film Institute.)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Cyril Cusack\u003c\/li\u003e\n\u003cli\u003e      Mary Ryan\u003c\/li\u003e\n\u003cli\u003e      Mick Lally\u003c\/li\u003e\n\u003cli\u003e      Don Foley\u003c\/li\u003e\n\u003cli\u003e      Tom Jordan\u003c\/li\u003e\n\u003cli\u003e      Brenda Scallon\u003c\/li\u003e\n\u003cli\u003e      Bairbre Ní Chaoimh\u003c\/li\u003e\n\u003cli\u003e      Máirtín Jaimsie\u003c\/li\u003e\n\u003cli\u003e      Brendan Ellis\u003c\/li\u003e\n\u003cli\u003e      Gillian Hackett\u003c\/li\u003e\n\u003cli\u003e      Hilary Reynolds\u003c\/li\u003e\n\u003cli\u003e      Donal O'Kelly\u003c\/li\u003e\n\u003cli\u003e       James Shanahan\u003c\/li\u003e\n\u003cli\u003e      Paul Bennett\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Robert Wynne-Simmons\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Horror\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 95 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 03\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568019\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645565100281,"sku":"DC-029CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-029CD_a3194dea-cae1-4a85-9118-8d6c2fa69c68.jpg?v=1734453115"},{"product_id":"the-golden-fern-blu-ray","title":"The Golden Fern (Blu-ray)","description":"\u003ch1\u003eCzech director Jiří  Weiss's breathtaking B\u0026amp;W fantasy about a stunning young forest fairy who falls in love with a handsome but selfish shepherd\u003c\/h1\u003e \u003cp\u003eTHE GOLDEN FERN (ZLATÉ KAPRADÍ) - 1963, NFA, 115 min. Czech director Jiří  Weiss's breathtaking B\u0026amp;W fairy tale is one of the most unjustly neglected treasures of 1960s fantasy filmmaking, a hauntingly lyrical work with overtones of Wojciech Has's THE SARAGOSSA MANUSCRIPT, František Vláčil's MARKETA LAZAROVÁ and Cocteau's BEAUTY AND THE BEAST.  A handsome young shepherd (Jean Marais lookalike Vít Olmer) stumbles across a magical golden fern in the forest.  A stunning, enigmatic forest fairy named Lesanka (Karla Chadimová) is sent to retrieve it but instead falls hopelessly in love with him.  When he's forced to join the army and heads off to war, she sews a seed from the fern into his shirt to protect him.  While he's away, though, he falls for the icily beautiful daughter of the commanding general (Dana Smutná) who demands he perform a series of Herculean tasks to prove his devotion to her.  Director Jiří Weiss (1913 - 2004) was internationally acclaimed for dramas such as WOLF TRAP and ROMEO, JULIET \u0026amp; DARKNESS - here he worked with cinematographer Bedřich Baťka (who also photographed the legendary MARKETA LAZAROVÁ) to craft one of the most visually ravishing and hypnotic B\u0026amp;W wide screen fantasies of the era.  Released by Deaf Crocodile, the Národní filmový archív and Comeback Company.  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(The Wild Hunt is a fixture of northern European folklore in which a sinister figure leads a chase followed by ghostly companions.)  Part folk horror, part supernatural mystery, KING STAKH is a melancholy, chilling mixture of Terry Gilliam, Italian Gothic Horror, 1960s Hammer Films and THE WICKER MAN - and a major rediscovery for genre fans.  The longer the young scholar stays in this mysterious house of 'shadow, gloom, madness and death,' the more strange and surreal the imagery becomes:  a mad widow in a white wig; a man bleeding spontaneously from his skull; a dwarf hiding in a decayed doll's house; screeching ravens and maniacal puppet shows.  Based on the novel by Belarusian writer Uladzimir Karatkievich, the long-unavailable KING STAKH has recently been restored from the original film elements in its extended 126 min. Director's Cut by Deaf Crocodile and Seagull Films for its first-ever U.S. release. (In Russian with English subtitles.)\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PAVIqu9hIKo\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBrand-new restoration of the Director’s Cut of the film by Craig Rogers for Deaf Crocodile\u003c\/li\u003e\n\u003cli\u003eVideo introduction by filmmaker and author Kier-La Janisse (WOODLANDS DARK AND DAYS BEWITCHED: A HISTORY OF FOLK HORROR)\u003c\/li\u003e\n\u003cli\u003e”The Wild, Wild Hunt of King Stakh” -- new video essay by film historian Evan Chester\u003c\/li\u003e\n\u003cli\u003eNew commentary track by comics artist (Swamp Thing), film historian, and author Stephen R. Bissette\u003c\/li\u003e\n\u003cli\u003eNew commentary track by Mike White of The Projection Booth\u003c\/li\u003e\n\u003cli\u003eQR code to access transcribed bonus features\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eGraphic Design by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Boris Plotnikov\u003c\/li\u003e\n\u003cli\u003e      Elena Dimitrova\u003c\/li\u003e\n\u003cli\u003e      Albert Filozov\u003c\/li\u003e\n\u003cli\u003e      Roman Filippov\u003c\/li\u003e\n\u003cli\u003e      Boris Khmelnitskiy\u003c\/li\u003e\n\u003cli\u003e      Valentina Shendrikova\u003c\/li\u003e\n\u003cli\u003e      Aleksandr Kharitonov\u003c\/li\u003e\n\u003cli\u003e      Igor Klass\u003c\/li\u003e\n\u003cli\u003e      Vladimir Fyodorov\u003c\/li\u003e\n\u003cli\u003e      Mariya Kapnist\u003c\/li\u003e\n\u003cli\u003e      Viktor Ilichyov\u003c\/li\u003e\n\u003cli\u003e      Yuriy Dubrovin\u003c\/li\u003e\n\u003cli\u003e      Boris Romanov\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Valeri Rubinchik\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Horror\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Russian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 126 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 860012020416\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645566050553,"sku":"DC-024CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-024CD_d330114c-913f-449b-8c8f-cdcc759a9ce8.jpg?v=1731754090"},{"product_id":"adela-has-not-had-supper-yet-blu-ray","title":"Adela Has Not Had Supper Yet (Blu-ray)","description":"\u003ch1\u003eThe beloved Czech cult comedy \/ horror \/ mystery about a handsome but bumbling detective and a man-eating plant\u003c\/h1\u003e \u003cp\u003eADELA HAS NOT HAD SUPPER YET (ADÉLA JEŠTĚ NEVEČEŘELA), 1978, NFA, 102 min.  'Within that bizarre flower lies a huge enigma,' muses Nick Carter, America's Greatest Detective (Michal Dočolomanský), called to Prague to investigate the case of a missing dog and instead winding up in the jaws of a giant carnivorous plant controlled by his old nemesis, The Gardener (Miloš Kopecký), in Czech director Oldřich Lipský's beloved cult hit.  Inspired by the Nick Carter dime novel detective stories created by John R. Coryell, ADELA is an irresistible slapstick combination of 19th century James Bond gadgetry, LITTLE SHOP OF HORRORS, Blake Edwards circa THE PINK PANTHER STRIKES AGAIN and Louis Feuillade silent serials like FANTÔMAS and JUDEX.  In other words, a sheer delight.  The second major comic hit from director Lipský and writer\/animator Jiří Brdečka after their musical western spoof LEMONADE JOE (1966), ADELA features much of the same cast as their third and final satire THE MYSTERIOUS CASTLE IN THE CARPATHIANS (1981) including leads Dočolomanský, Kopecký and the wonderful Rudolf Hrušínský as a Pilsner-drinking sausage-eating police commissar who invariably saves the day.  A loving tribute to the bygone days of old-world Prague, the film is literally filled with surreal, poetic moments and machinery - a balloon chase on a flying bicycle, a solar rifle, flowering vines serving tea - with the best by far being the Audrey-like man-eating plant designed and animated by the legendary Jan Švankmajer (who also contributed to MYSTERIOUS CASTLE IN THE CARPATHIANS several years later).  Look for famed Czech actress Olga Schoberová (LEMONADE JOE, WHO KILLED JESSIE?, Hammer's THE VENGEANCE OF SHE) in a brief but memorable role as cabaret dancer Irma the Cat.  Beautifully restored by the Národní filmový archiv, Prague, for release by Deaf Crocodile and Comeback Company.  In Czech with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AJYv8ud6CaM\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew restoration from the original camera negative and sound elements by the Národní filmový archiv, Prague\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by Czech film expert Irena Kovarova of Comeback Company and Czech film critic and screenwriter Tereza Brdečková\u003c\/li\u003e\n\u003cli\u003eFour rare Jiří Brdečka animated shorts Badly Drawn Hen (Špatně namalovaná slepice \/ Gallina Vogelbirdae) – 1963, 13 min. Forester’s Song \/ To the Forest (Do lesíčka na čekanou) – 1966, 9 min. What Did I Not Tell The Prince (Co jsem princi neřekla) – 1975,\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Michal Dočolomanský\u003c\/li\u003e\n\u003cli\u003e      Miloš Kopecký\u003c\/li\u003e\n\u003cli\u003e      Olga Schoberová\u003c\/li\u003e\n\u003cli\u003e      Rudolf Hrušínský \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Jan Svankmajer\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Oldřich Lipský\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Mystery\/Thriller\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Czech  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 102 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 860012020423\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645566312697,"sku":"DC-025CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-025CD_865c4749-3afb-40a3-946e-641e9b1b7429.jpg?v=1731754094"},{"product_id":"in-the-moscow-slums-blu-ray","title":"In The Moscow Slums (Blu-ray)","description":"\u003ch1\u003eA tremendously entertaining historical detective mystery adapted from Arthur Conan Doyle's \"The Sign of Four\" set in Moscow's Khitrovka slums\u003c\/h1\u003e \u003cp\u003eIN THE MOSCOW SLUMS (KHITROVKA. ZNAK CHETYRYOKH) - 2023, Mosfilm, 129 min.  The latest film from acclaimed director Karen Shakhnazarov (ZEROGRAD and THE ASSASSIN OF THE TSAR, both released by Deaf Crocodile and Seagull Films) is a tremendously entertaining historical detective mystery adapted from Arthur Conan Doyle's 'The Sign of Four' and the writings of famed Russian journalist Vladimir Gilyarovsky -- but in place of Sherlock Holmes and Dr. Watson, the film features two real-life figures from Russian history.  In Moscow in 1902, legendary actor and theater director Konstantin Stanislavski (Konstantin Kryukov) is struggling to understand the life of slum dwellers for his latest production of Gorky's 'The Lower Depths' -- so he turns to journalist Gilyarovsky (Mikhail Porechenkov) who takes him on a guided tour of the Khitrovka district, pretty much Moscow's version of Whitechapel circa Jack the Ripper.  There, they stumble across the bizarre murder of a chess playing friend of Gilyarovsky's called The Rajah and cross paths with a stunningly beautiful fallen aristocrat named The Countess (Anfisa Chernykh) and a savage Englishman and his blow-dart shooting killer companion.  For fans of the Jeremy Brett-starring Sherlock Holmes series and the recent Kenneth Branagh-directed Hercule Poirot mysteries, this is an irresistible treat.  Shakhnazarov clearly has great affection for the classic period in Russian theater (Anton Chekhov makes a cameo appearance at one point) and for the Holmes stories this pays loving tribute to.  Co-presented with Seagull Films.  In Russian with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/905791053\/d275ea9f0b\" target=\"_blank\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e   \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e”From Sherlock Holmes to Method Acting: Strolling Through Khitrovka' - new visual essay by film historian Evan Chester (18 min.)\u003c\/li\u003e\n\u003cli\u003e'No Stranger Than Human Nature - Theatre, History, and Mystery' -- new visual essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson\u003c\/li\u003e\n\u003cli\u003eNew video interview with director Karen Shakhnazarov about the making of IN THE MOSCOW SLUMS, moderated by Dennis Bartok of Deaf Crocodile (45 min.)\u003c\/li\u003e\n\u003cli\u003eNew video interview about the history and legacy of Mosfilm studios with Mosfilm’s head of public relations Gayane Ambartsumian, moderated by Dennis Bartok (67 min.)\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eNew art by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Anfisa Chernykh\u003c\/li\u003e\n\u003cli\u003e      Konstantin Kryukov\u003c\/li\u003e\n\u003cli\u003e      Mikhail Porechenkov\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Karen Shakhnazarov\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Mystery\/Thriller\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Russian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 129 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/11\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 860012020447\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":45645567131897,"sku":"DC-026CD","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-026CD_fcdba33e-f500-4e23-8e6f-230569638ae0.jpg?v=1731754098"},{"product_id":"gwen-and-the-book-of-sand-4k-uhd-blu-ray-4k-ultra-hd","title":"Gwen And The Book Of Sand (4k UHD + Blu-ray) (4K Ultra HD)","description":"\u003ch1\u003eA teenage girl and her 173 year old companion take an epic journey in French director Jean-François Laguionie's hauntingly poetic animated classic.\u003c\/h1\u003e \u003cp\u003eGWEN AND THE BOOK OF SAND (GWEN ET LE LIVRE DE SABLE) - 1985, La Traverse Films, 64 min.  'Why search the sand for answers?  It has told us everything,' whispers Roseline, the 173-year old desert nomad narrator of French director Jean-François Laguionie's hauntingly poetic animated feature of life after the apocalypse, where the few hardy survivors walk on stilts from well to well, scorpions glow like lanterns, and the mysterious Makou drops giant everyday objects from the skies.  Into this desolate science-fiction landscape, part-DUNE, part-FURY ROAD, emerges the story's teenage heroine, Gwen, who refuses to hide in the shadows - and whose love for teenage boy Nokmoon, kidnapped by the Makou and its followers, will drive her and Roseline on an epic journey across the endless sands.  A sublime and breathtaking masterpiece of world animation, GWEN... is on par with René Laloux's FANTASTIC PLANET, Hayao Miyazaki's NAUSICAÄ OF THE VALLEY OF THE WIND and Mamoru Oshii's ANGEL'S EGG as a visually stunning and truly otherworldly experience. 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The film used many of the same tricks:  expansive, visually stunning shots of the cosmos ... gorgeous Futurist space-design with ergonomic chairs, IBM lookalike computers, Mod mini-dresses and 'STAR TREK' space uniforms ... even a copycat free-floating in tunnel sequence with a wild electronic Perry-Kingsley type score.  The real star here is the breathtaking 70mm cinematography, recently restored in 6K by the Univ. of Massachusetts Amherst \/ DEFA Film Library for its first-ever world Blu-ray release by Deaf Crocodile.  \u003cbr\u003eIN THE DUST OF THE STARS (IM STAUB DER STERNE) - Who could possibly resist an insanely groovy mid-1970s East German space opera with an Ennio Morricone-like theme song, a nonstop underground disco where partygoers spritz hallucinogenic mouth-spray, scantily clad super-models voguing in an abstract sculpture garden, tons of silver glam-rock boots and glittery eyeshadow and red leather space-suits, and dialogue like 'Thob, I'll upload them to the Lambda channel' and 'The Temians are fun people - fun and a little crazy'?!  Director Gottfried Kolditz's delirious gem of Socialist eye-candy is set in the future where a team of cosmonauts on Spaceship Cynro 19\/4 crash land on planet Tem and are forced to have a really good time against their Communist principles boogying down with the local aliens (who are funding their nonstop Studio 54 action by enslaving the planet's Turi workers in underground mines.)  Visually, this ranks alongside Mario Bava's PLANET OF THE VAMPIRES as one of the most eye-popping genre treats of the era, with generous helpings of ZARDOZ, 'SPACE: 1999,' and LOGAN'S RUN thrown in for good measure.\u003cbr\u003e\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew commentary by film historian and comics artist (Swamp Thing) Stephen R. 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Dir. Juraj Jakubisko. 'It all began under the Frankenstein castle.  It was my tenth year with this circus troupe, and we were passing through a bleak territory of vampires, will-o'-the-wisps and water sprites,' observes young orphan Max (Martin Hrebeň), just before he runs away and hides out in the ruins of the nearby castle.  There he discovers a rogues' gallery of lonely monsters who've made it their home:  gruesome but loveable Alojz (Eddie Constantine, Lemmy Caution from Godard's ALPHAVILLE); the marvelous Ferdinand Mayne (Polanski's THE FEARLESS VAMPIRE KILLERS) as Count Dracula; a wonderful, whiskey-voiced Viveca Lindfors (THE DAMNED, STARGATE) as the Countess Frankenstein;  Gerhardt Karzel as the irresistibly goofy Frankenstein's Monster named Albert; along with the ghostly white lady Elizabeth Bathory (Mercedes Sampietro) and other assorted phantoms.  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Good, because you're in for a nonstop stream of Plympton's classic surreal nonsequiturs and mindbending visual puns involving Chia pets, fingernail dirt, assaults by bugs at the dinner table, riding mower antics and spontaneous eruptions of wonderfully deranged music (courtesy of frequent collaborator Maureen McElheron) with lyrics like 'Would you love me if I blew up a deli \/ Got a big fat belly and became real smelly?'  The mysteriously powerful boil on Grant's neck eventually attracts the notice of the voracious Smilecorp, leading to an all-out battle for control of the wandering carbuncle.  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Various space flotsam smashes into the windshield - enormous insects, Mighty Mouse, a Bird Man from 'Flash Gordon' - while hypnotic Krautrock drones in the background moaning 'Where am I??', and a naked man bounces up and down off a massive red pepper.  So begins our descent down the psychotic rabbit hole of CATHEDRAL, a true hallucinogenic Space Freakout if there ever was one:  imagine Ralph Bakshi animating an R-rated version of John Carpenter's DARK STAR, or the cartoon equivalent of Can's 'Ege Bamyasi.'  The crew spend their days staring into the pulsating light of the fusion reactor wondering about the outcome of the Vietnam War, or bemoaning their sexual inertia.  Their descent into moral and political lethargy is interrupted by the arrival of a very attractive young man, Mulligan, who's discovered in their monthly supply shipment from the discount store.  Eventually this screwy crew of seriously baked stoners find themselves searching for the enigmatic Matthew Madson, a Yeti-like wild man who may be the mysterious astronaut who first convinced them to embark on their deranged odyssey.  Visually the film is like no other, filled with characters morphing into gray fleshy blobs every time they pass a Black Hole, constantly disrobing and attempting to seduce each other (and despite the random nudity, the crewmembers are weirdly androgynous as if genders are meaningless.)   One of the rarest tiles in world animation and never before officially released on physical media, CATHEDRAL has been newly restored from the original camera negative and sound elements by Deaf Crocodile.  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An incredible 23 years in the making, THE TRAGEDY OF MAN is the legendary Hungarian animator Marcell Jankovics's (SON OF THE WHITE MARE) sprawling, kaleidoscopic masterwork:  a seemingly-endless animated scroll of gorgon-like demons, cave paintings that spring to life, barbarian warriors, bejeweled pharaohs, knights and martyrs and prophets bleeding together -- one brutal age dissolving into another and another, all of human history passing like pages in a child's flipbook.  Adapted from the dramatic poem by 19th century author Imre Madách that's often compared to Goethe's Faust and Milton's Paradise Lost, THE TRAGEDY OF MAN is no ordinary cartoon:  it's one of the most visually stunning and wildly ambitious animated epics ever made (and then some).  Out of the galactic void at the beginning of the story emerges Lucifer the Devil, the Great Winged Bat, Anubis, the antagonist who adopts many faces and forms as it guides and manipulates the characters of Adam and Eve throughout history, searching for the purpose of human existence -- if there is one.  Broken into 15 different episodes (the segments were produced one at a time by Jankovics as he cobbled together funding), each section has a different visual style, incorporating a mindblowing tapestry of world art, cultures, symbols, and rituals.  In ancient Egypt, the bodies of slaves become the literal building blocks of the pyramids - in ancient Greece, the background shatters like broken pottery - in Rome, mosaics of gladiators come to life, slashing at each other - in the Middle Ages, arguing zealots are transformed into Orthodox churches, clashing against one another as they crumble.  The sum total of Jankovics's cosmic vision of human 'progress' is utterly surreal, psychedelic, operatic and Wagnerian:  a breathtaking Hieronymus Bosch-like triptych of Hell on Earth, with brief glimpses of Grace and Love which may offer hope for the future. \u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFIrst-ever U.S. Blu-ray release\u003c\/li\u003e\n\u003cli\u003eNew video essay by Evan Chester\u003c\/li\u003e\n\u003cli\u003eNew commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and film critic Martin Kessler\u003c\/li\u003e\n\u003cli\u003eNew video interview with György Ráduly, director of the National Film Institute (NFI) in Budapest on Marcell Jankovics\u003c\/li\u003e\n\u003cli\u003eNew video interview with key members of the original animation team\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Ágnes Bertalan\u003c\/li\u003e\n\u003cli\u003e      Mátyás Usztics\u003c\/li\u003e\n\u003cli\u003e      Tibor Szilágyi\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Marcell Jankovics\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Animation (not Anime\/Manga)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Hungarian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 160 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 08\/12\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568279\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46497706672377,"sku":"DC-040CD","price":22.46,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-040CD.jpg?v=1747847326"},{"product_id":"ilya-muromets-blu-ray","title":"Ilya Muromets (Blu-ray)","description":"\u003ch1\u003eLegendary fantasy filmmaker Aleksandr Ptushko's sweeping, visual F\/X-filled epic\u003c\/h1\u003e \u003cp\u003eLegendary fantasy filmmaker Aleksandr Ptushko's sweeping, visual F\/X-filled epic is one of his most enchanting achievements: a stunning Cinemascope ballad of heroic medieval knights, ruthless Tugar invaders, wind demons and three-headed fire-breathing dragons. Based on one of the most famous byliny (oral epics) in Kievan Rus' culture, the film stars Boris Andreyev as the bogatyr (warrior) Ilya, waging a decades-long battle against the Tugars who threaten his homeland, kidnap his wife and raise his own son to fight against him.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew 4K restoration of ILYA MUROMETS\u003c\/li\u003e\n\u003cli\u003eNew commentary track by comics artist (Swamp Thing) and film historian Stephen R. 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When the hero Lemminkäinen (Andris Oshin) attempts to stop her, Louhi steals the sun, plunging the world into eternal darkness. A Finnish\/Soviet co-production and shot like its predecessor ILYA MUROMETS in gorgeous CinemaScope, SAMPO features some of Ptushko's most surreal and fantastical imagery: a glowing red horse plowing a field of vipers; a boat of fire with a stag's head; a weeping mother literally walking across the sea to find her lost son. With its witch's incantations and repeated scenes of forging magical items - 'Give me fire for the furnace from the nave of the sky!' - there is a Macbeth-like occult force to the film as well, underscored by the raging blue-gray seas and rock-strewn landscapes. Previously released in the U.S. in a dubbed, butchered version as THE DAY THE EARTH FROZE (and later mocked on MST3K), SAMPO has been beautifully restored in 4K by KAVI - the Finnish National Audiovisual Institute for its first-ever American release in its original Finnish-language version by Deaf Crocodile.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNewly restored in 4K\u003c\/li\u003e\n\u003cli\u003ePart 2 of pioneering Russian film scholar Alan Upchurch's essay on Ptushko reprinted from 'Video Watchdog' magazine\u003c\/li\u003e\n\u003cli\u003eNew commentary by comics artist (Swamp Thing) and film historian Stephen R. 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Based on a famous fairy tale in verse by Alexander Pushkin, THE TALE OF TSAR SALTAN is one of director Aleksandr Ptushko's most sublime creations:  a ravishingly beautiful fantasy about love, magic, betrayal and abandoned family.   Driven from the Russian court by her sisters' scheming, the young Tsarina (Larisa Golubkina) is thrown into the sea in a cask with her infant son.  Surviving the storm-tossed voyage, the mother and her now magically-adult son (Oleg Vidov) land on a remote island where he falls in love with a Swan Princess in human form (Kseniya Ryabinkina), and longs for reunion with his estranged father, Tsar Saltan (Vladimir Andreyev).  Like his earlier masterpieces SAMPO and ILYA MUROMETS (also released by Deaf Crocodile), TSAR SALTAN is filled with breathtaking imagery:  carved wooden lions who shed tears; peasants in pagan ritual masks, dancing in the snow; the treacherous faces of conspirators bathed in red candle glow like the witches in Macbeth.  Ptushko's second-to-last feature, TSAR SALTAN has been gorgeously restored by Mosfilm and Deaf Crocodile for its first-ever release in the U.S., co-presented with Seagull Films.  In Russian with English subtitles.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew hour-long video interview with Academy Award winning Visual FX artist Robert Skotak (ALIENS, TERMINATOR 2) on Ptushko and the history of Russian fantastika filmmaking\u003c\/li\u003e\n\u003cli\u003eNew commentary track by comics artist (Swamp Thing) and film historian Stephen R. 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On their wedding night, Ludmila is spirited away by the long-bearded wizard Chernomor (Vladimir Fyodorov), and taken to his sinister palace where she's held prisoner.  On their epic quest to rescue her, Ruslan and his three rivals encounter some of Ptushko's most unforgettable imagery:  a giant's monstrous, decapitated head slumbering on an open plain, magic rings and stone warriors, sorcery and sacrifice, all in the hope of reuniting lost lovers.  Newly restored by Mosfilm for release by Deaf Crocodile and Seagull Films.  In Russian with English subtitles.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNewly restored in 4K\u003c\/li\u003e\n\u003cli\u003eNew commentary track by comics artist (Swamp Thing) and film historian Stephen R. 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Director Jiří Barta's stop-motion animated masterpiece, based on The Pied Piper of Hamelin, is set in a dark and twisted medieval village of narrow streets and weird Gothic arches, half-CABINET OF DR. CALIGARI and half-Jan van Eyck.  The money-obsessed citizens, carved out of wood blocks and speaking in an onomatopoeic babble, are like George Grosz caricatures, literally spouting coins from their mouths instead of words.  The rats are far more organic and sympathetic, made of real fur and whiskers, constantly tunneling and burrowing under the towering arches and cobblestone streets above.  (In one of the film's many surreal moments, a rat emerges from a gargoyle's gaping maw.)  Fans of fellow Czech animation legend Jan Švankmajer and the Brothers Quay will adore Barta's eerie, Expressionist gem, recently restored by Deaf Crocodile and Comeback Company.  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From Karen Shakhnazarov, director of ZEROGRAD, ASSASSIN OF THE TSAR is a mysterious and labyrinthine psychological drama in which the tormented chambers of a patient's mind come to warp everything around him, even the folds of history itself.  In one of his finest latter-day performances, Malcolm McDowell (A CLOCKWORK ORANGE, TIME AFTER TIME) stars as Timofeyev, a severe schizophrenic in a dreary Soviet mental hospital who is convinced that, impossibly, he's the killer of two Tsars:  Alexander II in 1881 and Nicholas II in 1918.  The sympathetic head of the hospital, Dr. Smirnov (the great Russian actor Oleg Yankovskiy) is determined to cure Timofeyev of his madness - but instead finds himself literally pulled back through time, inhabiting the ghosts of the past as they march towards their tragic destiny.  Shakhnazarov's fascinating, time-traveling mystery was filmed in two versions, shot simultaneously on separate 35mm negatives:  the longer English-language version (104 min.) with McDowell's voice and a different score, and the slightly shorter Russian version (102 min.) with McDowell's voice dubbed and the rest of the cast speaking in Russian -- both versions included on this release.  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Legendary animator Bill Plympton's lovably twisted tribute to alien invasion films ala THE QUATERMASS XPERIMENT, 20 MILLION MILES TO EARTH and MARS ATTACKS! features an American astronaut named Earl Jensen (voiced by Dan McComas) who's intentionally stranded in space by his evil boss, Dr. Frubar (voiced by George Casden).  Twenty years later, his now-grown daughter Josie (voiced by Francine Lobis) is an astronomer with some serious lust for her hunky boyfriend (their hanky panky is both R-rated and hilarious, with his phallus in turns transforming into a charging rhino, steam train and exploding volcano).  Their lovemaking and Dr. Frubar's evil plans are both interrupted by the unexpected return of her missing father, astronaut Earl - who reveals he apparently survived in space for the past two decades on a planet peopled (if that's the right word) by aliens who resemble human body parts (tongues, fingers, eyeballs and unidentified pink blobs).  As brilliantly weird as ever for Plympton, MUTANT ALIENS is also surprisingly sexy:  astronaut Earl's liaison with the fleshy pink alien blob queen shows that even in outer space, love knows no boundaries.  Plympton also shares with David Lynch a kind of perverse wholesomeness in his fascination with nostalgic 1950s Americana undercut by a gleefully wicked sense of the bizarre and surreal.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFIrst-ever U.S. Blu-ray release\u003c\/li\u003e\n\u003cli\u003eTwo classic Plympton shorts:  “Hot Dog” (2008, 6 min.) and “The Cow Who Wanted To Be A Hamburger” (2010, 6 min.)\u003c\/li\u003e\n\u003cli\u003eNew video interview with Bill Plympton about the making of MUTANT ALIENS, moderated by Dennis Bartok of Deaf Crocodile.\u003c\/li\u003e\n\u003cli\u003eNew commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and longtime Plympton collaborator John Holderried of Plymptoons Studio.\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Dan McComas\u003c\/li\u003e\n\u003cli\u003e      Francine Lobis\u003c\/li\u003e\n\u003cli\u003e      Matthew Brown\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Bill Plympton\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Animation (not Anime\/Manga)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 81 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10\/14\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568217\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46602624762105,"sku":"DC-038CD","price":22.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-038CD.jpg?v=1751291636"},{"product_id":"bubble-bath-blu-ray","title":"Bubble Bath (Blu-ray)","description":"\u003ch1\u003eA surreal animated musical comedy from Hungary about a man terrified of getting married and his fiancée's best friend\u003c\/h1\u003e \u003cp\u003eBUBBLE BATH (HABFÜRDÖ) - 1979, 79 min.  Hungarian director György Kovásznai's wildly idiosyncratic animated musical is one of the most indescribably strange, personal and totally irresistible cartoon features ever made.  Shop window decorator Zsolt (voiced by Kornél Gelley, with Albert Antalffy singing) bursts into the apartment of his fiancée's best friend Anikó (voiced by Vera Venzcel, with Kati Bontovits singing), paralyzed with fear at his impending marriage.  Zsolt is like an anxious hippie alley cat, or an Eastern European Frank Zappa in a tux; medical student Anikó a more curvaceous and leggy post-modern Betty Boop - and both unsure of their attraction to each other, of the choices they've made, of what life has in store for them.  A truly insane and surprisingly sexy mash-up of styles, from 1920s Art Deco to 1960s Psychedelia to late 1970s louche Roxy Music decadence, BUBBLE BATH is incredibly restless and creative, the bohemian love-child of Bill Plympton's off-kilter individualism and Ralph Bakshi's wonderfully warped, rubbery visual style.  In other words:  it's not quite like any animated film you've ever seen before.  Sadly, this was director and animator Kovásznai's only feature film after making a number of brilliant cartoon shorts at Pannónia filmstúdio -- he died of leukemia in 1983 shortly after its release.  BUBBLE BATH has been beautifully restored by the National Film Institute in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/10cOLm-iL5c\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003c\/li\u003e\n\u003cli\u003eNew essay by film historian and professor Jennifer Lynde Barker\u003c\/li\u003e\n\u003cli\u003eInterview with BUBBLE BATH Composer János Másik – 2021, 7 min.\u003c\/li\u003e\n\u003cli\u003e“Restoring BUBBLE BATH” – 2021, 9 min., dir. Yvonne Kerékgyártó. A fascinating look at the restoration of this Hungarian animated classic \u003c\/li\u003e\n\u003cli\u003e5 rare Short Films by György Kovásznai\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Kornél Gelley\u003c\/li\u003e\n\u003cli\u003e      Vera Venzcel\u003c\/li\u003e\n\u003cli\u003e      Albert Antalffy\u003c\/li\u003e\n\u003cli\u003e      Kati Bontovits\u003c\/li\u003e\n\u003cli\u003e      Katalin Dobos\u003c\/li\u003e\n\u003cli\u003e      Lenke Lorán\u003c\/li\u003e\n\u003cli\u003e      Anna Papp\u003c\/li\u003e\n\u003cli\u003e      Arany Szögi\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e György Kovásznai\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Animation (not Anime\/Manga)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Hungarian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 80 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10\/14\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568415\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46602626040057,"sku":"DC-020CD","price":22.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-020CD.jpg?v=1751291670"},{"product_id":"treasures-of-soviet-animation-vol-1-the-mystery-of-the-third-planet-the-pass-the-return-blu-ray","title":"Treasures Of Soviet Animation Vol. 1: The Mystery Of The Third Planet + The Pass \u0026 The Return (Blu-ray)","description":"\u003ch1\u003eThree classic animated Soviet sci-fi films from the vaults of the famed Soyuzmultfilm studios, THE MYSTERY OF THE THIRD PLANET, THE PASS \u0026amp; THE RETURN\u003c\/h1\u003e \u003cp\u003eTHE MYSTERY OF THE THIRD PLANET (TAYNA TRETEY PLANETY), 1981, Soyuzmultfilm, 48 min.  Dir. Roman Kachanov.  A trio of intrepid space explorers, Professor Seleznyov, his 9-year old daughter Alice and the hilariously doom-and-gloom Captain Zelyonyy set off on a rocket ship in the year 2181 to collect rare alien creatures for the Moscow Zoo.  They're immediately drawn into an amazingly convoluted mystery involving a sinister doctor, a nearly-extinct Chatter-bird, and two legendary, missing cosmonauts.  A delirious cosmic treat for fans of FANTASTIC PLANET, MYSTERY... features a gallery of psychedelic space creatures straight out of YELLOW SUBMARINE:  blue-skinned aliens with ears on the tops of their heads, a tiger-rat from the planet Penelope, a blue-and-purple flying cow with fairy's wings.  Director Roman Kachanov's long sought-after gem packs enough plot, surreal imagery, phantasmagorical creatures and otherworldly worlds into its 48 minutes for an entire mini-series.  \u003cbr\u003eTHE PASS (PEREVAL), 1988, Soyuzmultfilm, 30 min.  'On this night, Oleg was on duty near the fence ... He sensed the emptiness and the routine.  Three times people went to the Pass.  It was all in vain.'  So begins Russian director Vladimir Tarasov's sublime masterpiece of animated sci-fi in which a group of terrified human survivors on an alien world try to reach their derelict spacecraft 16 years after it crashed.  On par with Tarkovsky's SOLARIS and STALKER as one of the most hypnotic and visually stunning science-fiction stories ever filmed, THE PASS is filled with cascading, pulsating images:  night creatures that bleed in from the darkness to attack, a cat's eyes flickering in the candlelight, frightened children reciting stories of another planet, another time.  THE PASS is the longest of Tarasov's works and arguably his finest achievement.\u003cbr\u003e'The Return' (Vozvrashchenie), 1980, Soyuzmultfilm, 10 min. 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Dir. Dusan Vukotic.  Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids' show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang's METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including 'Cow On The Moon' (1959) and the Oscar-winning 'The Substitute' (1961).  This long-unavailable genre treat has been newly restored in 4K by Deaf Crocodile and Zagreb Film.  In Croatian with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5TFKvWqukEs\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e    \u003c\/p\u003e        \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew scan of VISITORS FROM THE ARKANA GALAXY with restoration by Craig Rogers for Deaf Crocodile\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003c\/li\u003e\n\u003cli\u003eNew essay by film historian and professor Jennifer Lynde Barker\u003c\/li\u003e\n\u003cli\u003e5 rare short films by director Dusan Vukotic including his Oscar-winning 'The Substitute' (1961)\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Zarko Potocnjak\u003c\/li\u003e\n\u003cli\u003e      Lucie Zulová\u003c\/li\u003e\n\u003cli\u003e      Ksenia Prohaska\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Dusan Vukotic\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Sci Fi\/Fantasy\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Croation  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 88 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 0       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10\/14\/25\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568422\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46602626564345,"sku":"DC-015CD","price":22.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-015CD.jpg?v=1751291714"},{"product_id":"lev-atamanovs-the-snow-queen-the-scarlet-flower-the-key-treasures-of-soviet-animation-vol-2-blu-ray","title":"Lev Atamanov's The Snow Queen, The Scarlet Flower \u0026 The Key: Treasures Of Soviet Animation Vol. 2 (Blu-ray)","description":"\u003ch1\u003eGorgeous new restorations of 3 of Soviet-Armenian director Lev Atamanov's THE SNOW QUEEN, THE SCARLET FLOWER and THE KEY.\u003c\/h1\u003e \u003cp\u003eTHE SNOW QUEEN (SNEZHNAYA KOROLEVA) - 1957, 65 min.  Lev Atamanov's sublime and often terrifyingly beautiful masterpiece, based on a Hans Christian Andersen story, follows a resourceful young girl, Gerda (voiced by Yanina Zheymo), as she embarks on an epic journey to save her friend Kay (Anna Komolova) from the frozen embraces of the magnificent Snow Queen (Mariya Babanova).  A favorite of Hayao Miyazaki who said the film inspired him to become an animator -- and it's easy to see the direct influence of THE SNOW QUEEN on characters and storylines in CASTLE IN THE SKY, PRINCESS MONONOKE and SPIRITED AWAY.  \u003cbr\u003eTHE SCARLET FLOWER (ÁLENKIY TSVETÓTCHEK) - 1952, 42 min.  Dir. Lev Atamanov.  An almost impossibly lovely, bejeweled fantasy adventure, a mixture of Ptushko's THE STONE FLOWER and SADKO with Cocteau's BEAUTY \u0026amp; THE BEAST.  A ship's captain promises his youngest daughter Nastenka (voiced by Nina Krachkovskaya) a scarlet flower as a gift.  But when he plucks it, the enraged beast who owns it demands a sacrifice - and Nastenka offers herself up as the monster's prisoner on an enchanted isle.\u003cbr\u003eTHE KEY (KLYUCH) - 1961, 58 min.  Atamanov's delightfully quirky gem is one of his most surprising efforts, a surreal parable about the benefits of Magic vs. the value of Good Hard Work.  Three wonderfully wacky fairies come to bless a newborn child with the gift of an enchanted ball of yarn - but the boy's no-nonsense grandfather (voiced by A. Glushchenko) wants to give him more practical gifts, like common sense, a good hammer and a strong work ethic. 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Hamza's SIRIUS is an intensely romantic time-travel film with overtones of the Christopher Reeve\/Jane Seymour-starring SOMEWHERE IN TIME and BACK TO THE FUTURE.  In the 1940s, a brash Hungarian playboy (László Szilassy) travels back two hundred years with a mad scientist to the mid-18th century world of wigs and pompadours, where he falls in love with a penniless opera singer (Katalin Karády) and makes enemies of all the aristocratic fools he encounters (including his own great-grandfather).  But can he make it back to the present before dawn with his new love - or will he lose her forever?  One of the first great divas in Hungarian film and music, lead actress Katalin Karády was brutally tortured by the Nazis during WW2 and saved the lives of a number of Hungarian Jewish children who were set to be executed by the Danube River, for which she was posthumously honored by the Yad Vashem, Israel's official memorial to victims of the Holocaust.  Beautifully restored from the original 35mm B\u0026amp;W nitrate negative by the NFI, and released for the first time on Blu-ray in the U.S. by Deaf Crocodile.  In Hungarian with English subtitles.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSIRIUS Werkfilm” (1942, 3 min., B\u0026amp;W, silent) – this ultra-rare behind-the-scenes footage of SIRIUS during production was shot by a 19-year old studio trainee and shows the director and lead actors setting up for filming.  \u003c\/li\u003e\n\u003cli\u003eNew video interview with György Ráduly, director of the National Film Institute (NFI) – Film Archive on the making and preservation of SIRIUS, moderated by Dennis Bartok.  \u003c\/li\u003e\n\u003cli\u003eNew video essay by journalist and physical media expert Ryan Verrill and film professor Dr. Will Dodson of Someone’s Favorite Productions.\u003c\/li\u003e\n\u003cli\u003eNew commentary track by comics artist (Swamp Thing), film historian, and author Stephen R. Bissette. \u003c\/li\u003e\n\u003cli\u003eNew artwork by Beth Morris.\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      László Szilassy\u003c\/li\u003e\n\u003cli\u003e      Katalin Karády\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Ákos D. 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Dir. Henrik Galeen.  Deranged Weimar Era erotic sci-fi \/ horror starring Brigitte Helm (Maria \/ Futura in Fritz Lang's METROPOLIS) as the unholy offspring of a genetics experiment conducted by her scientist 'father' Paul Wegener (The Golem in both the 1915 and 1920 versions), who implants the semen of a hanged man in the womb of a prostitute.  ('Alraune' literally translates as 'Mandrake' - an old legend states that human-like mandrake roots grow under the gallows where the sperm of a hanged man touches mother earth.)  As an adult, the lithe, sinuous Helm with her weirdly magnetic gaze and Modigliani-like features drives men to suicide and madness - including her own pseudo-father Wegener who succumbs to incestuous obsession with her.  Beautifully shot by cinematographer Franz Planer (who later photographed LETTER FROM AN UNKNOWN WOMAN and CRISS CROSS) with gorgeous restored color tinting, ALRAUNE is a cascade of decadent imagery:  hanged bodies in cemeteries, NIGHTMARE ALLEY-like circuses, opulent casinos and more.   A remarkable and long-unseen German silent sci-fi \/ horror gem from Galeen, fueled by stellar performances by Helm and Wegener.  Score by Sabrina Zimmermann and Mark Pogolski.\u003cbr\u003e\u003cbr\u003eDER STUDENT VON PRAG (THE STUDENT OF PRAGUE), 1926, Filmmuseum München, 133 min.  Dir. Henrik Galeen.  Conrad Veidt (THE CABINET OF DR. CALIGARI, CASABLANCA) stars as a hellraising student who sells his soul to the Devil in the form of a wizened old man named Scapinelli (Werner Krauss).  But Veidt hasn't bargained on meeting his own evil doppelgänger who literally steps out of a mirror, Cocteau-like, and starts to take over his life.  A remake of the 1913 version starring Paul Wegener (also excellent), Galeen's eerily compelling FAUST-like fantasy \/ horror is driven by the always-great Veidt's impressive dual performance as the student and his strange, unsettling twin.  Score by Stephen Horne.\u003cbr\u003e\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAn excerpt from AUF GEFÄHRLICHEN SPUREN (DANGEROUS PATHS), 1924, Filmmuseum Düsseldorf, 15 min. 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Welcome to the unearthly visions of Austrian artist and director Norbert Pfaffenbichler's '2551 Trilogy,' a staggering combination of avant garde cinema, post-apocalyptic sci-fi \/ horror \/ monster action, dystopian political nightmare, silent cinema techniques (all 3 features are told without dialogue, with different color tinting), endless subterranean labyrinths (shot in abandoned WW2 bunkers in Vienna), myriad grotesque masks, industrial and death metal music, the Bros. Quay and Jan Švankmajer and Joel-Peter Witkin and David Lynch all mixed together.  Definitely NOT for the faint of heart or easily offended, this is experimental filmmaking for fans of SILENT HILL, HELLBOY 2, ERASERHEAD, MAD GOD and BEGOTTEN, The Cure and Bauhaus and Metallica, lucha libre, and (unbelievably) Charlie Chaplin.  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'A crime is a crime, even if committed by kings,' intones the narrator of director József Gémes' animated portrait of the supposedly 'heroic' age of medieval knights and kings, a sprawling and bloody tapestry of ruthless combat to rival 'Game Of Thrones.'  Based on an epic narrative poem by 19th century Hungarian writer János Arany, HEROIC TIMES has a unique visual style combining gorgeous oil paintings and 2-D animation, similar to the Japanese anime BELLADONNA OF SADNESS.  Stylistically, the film is closer to sweeping medieval sagas like Aleksandr Ptushko's ILYA MUROMETS, John Boorman's EXCALIBUR and Ralph Bakshi's underrated version of THE LORD OF THE RINGS, tied together by the battle-wearied voice of the narrator:  'I haunted the alien streets as a spirit of withered times.'  Winner of the feature film award at the 1985 Annecy Animated Film Festival, the long-unseen HEROIC TIMES has been newly restored by the NFI - National Film Institute-Film Archive in Hungary for its first-ever U.S. release by Deaf Crocodile.  In Hungarian with English subtitles.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=d_Al2hDDoVQ\" target=\"_blank\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e   \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew 4K restoration of HEROIC TIMES by the NFI – National Film Institute-Film Archive in Hungary\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan\u003c\/li\u003e\n\u003cli\u003eNew essay by film historian and professor Jennifer Lynde Barke\u003c\/li\u003e\n\u003cli\u003e3 rare animated shorts by József Gémes:   “Koncertissimo” (1968, 3 min.), “Parade (Díszlépés)” (1969, 5 min.), “Funeral (Temetés)” (1970, 3 min.)\u003c\/li\u003e\n\u003cli\u003eNew video interview with HEROIC TIMES animator Sándor Békési, moderated by Dennis Bartok of Deaf Crocodile\u003c\/li\u003e\n\u003cli\u003eNew video interview with György Ráduly, Director of the National Film Institute-Film Archive on József Gémes and the history of Hungarian animation, moderated by Dennis Bartok\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Animation (not Anime\/Manga)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Hungarian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 83 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 01\/20\/26\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568606\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46997321941241,"sku":"DC-014CD","price":22.46,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-014CD.jpg?v=1762282875"},{"product_id":"3-x-teuvo-tulio-sensuela-cross-of-love-restless-blood-blu-ray","title":"3 X Teuvo Tulio: Sensuela + Cross Of Love + Restless Blood (Blu-ray)","description":"\u003ch1\u003eA trio of surreal melodramas from Finnish director Teuvo Tulio including CROSS OF LOVE, RESTLESS BLOOD and the notorious SENSUELA\u003c\/h1\u003e \u003cp\u003eA mad, dreamlike combination of surrealist imagery and unhinged emotional intensity, the films of Finnish director \u003cb\u003eTeuvo Tulio\u003c\/b\u003e (1912-2000) are melodramas untethered from any sense of naturalism or narrative logic (or often good taste), operating in the same glorious, hallucinatory space as the subversive Brechtian melodramas of Douglas Sirk and R.W. Fassbinder.\u003cbr\u003e\u003cbr\u003eCROSS OF LOVE (1946) Grizzled old lighthouse keeper Oscar Tengström loses his daughter Riitta (Tulio's frequent collaborator Regina Linnanheimo) to the pitfalls of the city and rakishly handsome Mauri (Ville Salminen).  One day she meets a sensitive young man Henrik (Rauli Tuomi) who turns out to be a painter and wants her to model - DEAR GOD - half-naked, tied to a cross with her dress torn open.\u003cbr\u003e\u003cbr\u003eRESTLESS BLOOD (1946) Blonde wife Sylvi (Regina Linnanheimo) seems to have an ideal marriage to doctor husband Valter (Eino Katajavuori), despite his 'innocent' flirtation with her kid sister - until her young son is killed by a speeding bus.  She drinks poison in desperation - she survives but loses her sight.  Features an intensely deranged performance by Linnanheimo, sporting Peter Lorre-in-MAD LOVE sunglasses and giving the whole film a German Expressionist \/ neo-horror \/ neo-noir vibe.\u003cbr\u003e\u003cbr\u003eSENSUELA (1973) Tulio's last film - and arguably his greatest achievement - opens on Sámi reindeer herder's daughter Laila (Marianne Mardi) saving wounded German WW2 pilot Hans (Mauritz Åkerman).  Hans quickly seduces her off to Helsinki, where she descends into a maelstrom of fabulous clothes and nudie photography and hippie orgies.  What follows is an incredible mix of ethnographic reindeer herding docudrama, jawdropping John Waters \/ Doug Sirk \/ Russ Meyer \/ Anna Biller's THE LOVE WITCH-style melodrama blending eye-popping Technicolor, softcore eroticism \/ sexploitation, and Mod 60's \/ 70s Pop Art fashions and décor.  Note: SENSUELA is intended for mature audiences and contains frequent onscreen nudity.\u003c\/p\u003e         \u003ch2\u003eMedia\u003c\/h2\u003e         \u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=AipQdoiATW8\" target=\"_blank\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e   \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAll 3 films newly restored by KAVI - the National Audiovisual Institute of Finland\u003c\/li\u003e\n\u003cli\u003eFirst ever Worldwide Blu-ray release\u003c\/li\u003e\n\u003cli\u003eBonus: The only remaining fragments from Tulio’s early features STRUGGLE FOR THE HOUSE OF HEIKKILA (1936, 9 min. clip) and FALL ASLEEP WHEN YOUNG (1937, 22 min.), both co-starring Regina Linnanheimo\u003c\/li\u003e\n\u003cli\u003eBonus:  Short documentary A FRENCH DISCOVERY - NUORENA NUKKUNUT (2015, 7 min., dir. Jani Jäderholm) on preserving the fragment of FALL ASLEEP WHEN YOUNG.\u003c\/li\u003e\n\u003cli\u003eBonus: Two Finnish educational films from the 1940s, I WOULD LIKE TO BE A QUEEN (1947, 13 min.) and SHELTERS FOR NEWBORNS, 1946, 9 min.)\u003c\/li\u003e\n\u003cli\u003eBonus: Rare trailer for the Swedish-language version of CROSS OF LOVE (1946).\u003c\/li\u003e\n\u003cli\u003eNew audio commentaries by Dr. Eloise Ross, Rolf Giesen and Heidi Honeycutt.\u003c\/li\u003e\n\u003cli\u003eNew visual essays by Danish filmmaker Reinert Kiil and Ryan Verrill \u0026amp; Dr. Will Dodson of Someone’s Favorite Productions.\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Regina Linnanheimo\u003c\/li\u003e\n\u003cli\u003e      Oscar Tengström \u003c\/li\u003e\n\u003cli\u003e      Ville Salminen\u003c\/li\u003e\n\u003cli\u003e      Eino Katajavuori\u003c\/li\u003e\n\u003cli\u003e      Marianne Mardi\u003c\/li\u003e\n\u003cli\u003e      Mauritz Åkerman\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Teuvo Tulio\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Film Noir\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Finnish  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 303 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 01\/20\/26\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568521\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":46997332656377,"sku":"DC-047CD","price":40.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-047CD.jpg?v=1762283159"},{"product_id":"the-short-films-of-yuri-norstein-treasures-of-soviet-animation-vol-3-blu-ray","title":"The Short Films Of Yuri Norstein: Treasures Of Soviet Animation Vol. 3 (Blu-ray)","description":"\u003ch1\u003eThe short films of legendary Russian animator Yuri Norstein including his classic HEDGEHOG IN THE FOG and THE TALE OF TALES, newly restored\u003c\/h1\u003e \u003cp\u003eTHE 25TH, THE FIRST DAY - 1968, 9 min., co-dir. Arkadiy Tyurin.\u003cbr\u003eYuri Norstein's first film is a visually striking tribute to the Bolshevik Revolution on October 25\u003cbr\u003eSEASONS - 1969, 9 min.  A man and woman ride through the forest while the seasons change around them in this lovely, elegiac short set to music by Tchaikovsky. \u003cbr\u003eCHILDREN AND MATCHES - 1969, 5 min.  Norstein's rarely-seen educational short about the dangers of matches, from ancient times up to today.  \u003cbr\u003eTHE BATTLE OF KERZHENETS - 1971, 10 min., co-dir. Ivan Ivanov-Vano.  Arguably Norstein's first great animated film, inspired by the legend of the City of Kitezh which disappeared into a lake to avoid Mongol invaders.  \u003cbr\u003eTHE FOX \u0026amp; THE HARE - 1973, 12 min. Norstein's utterly charming short about a temperamental 'house-filching fox' who boots a poor rabbit out of its home.  The rabbit turns to a wolf, bear, bull and rooster for help, with surprising results.  \u003cbr\u003eTHE HERON \u0026amp; THE CRANE - 1974, 10 min.  An awkward crane and a high-spirited heron go back and forth on marrying each other, in this heartbreaking short about romantic misunderstandings.  \u003cbr\u003eHEDGEHOG IN THE FOG - 1975, 11 min.  The deceptively epic journey of the tiny hedgehog, filled with impossible marvels and dangers:  a shimmering white horse and a crafty owl.  A fluttering bat, a falling leaf and the ever-present curtain of fog.  Widely considered one of the greatest animated films ever made.\u003cbr\u003eA DAY BEFORE OUR ERA  - 1977, 6 min.  Co-dir. Fyodor Khitruk. This experimental collage of images of the French Revolution was apparently abandoned before it was finished, and remains one of Norstein's rarest films. \u003cbr\u003eTHE TALE OF TALES - 1979, 29 min.  Norstein's longest film to date, TALE is a story about stories, a dream of many dreams.  A giant bull and a little girl skip rope.  Couples dance under a streetlight until the male partners disappear, headed off to war.  And through it all, the Little Grey Wolf watches silently at the rondo of human loves and losses.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNew restorations by Deaf Crocodile of all 9 of Norstein's short films\u003c\/li\u003e\n\u003cli\u003eFirst ever U.S. Blu-ray release for Norstein's short films\u003c\/li\u003e\n\u003cli\u003eIncludes feature-length documentary MAKING THE OVERCOAT about Norstein's legendary, unfinished project 'The Overcoat'\u003c\/li\u003e\n\u003cli\u003eNew commentary tracks by film scholar Michael Brooke\u003c\/li\u003e\n\u003cli\u003eNew visual essay by film historian Evan Chester\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003cli\u003eMost complete release of Norstein's films ever put out on Blu-ray\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Mariya Vinogradova\u003c\/li\u003e\n\u003cli\u003e      Vyacheslav Nevinnyy\u003c\/li\u003e\n\u003cli\u003e      Aleksey Batalov\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Yuri Norstein\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Animation (not Anime\/Manga)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Russian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 101 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 02\/24\/26\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568552\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":47069048635641,"sku":"DC-048CD","price":23.21,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-048CD.jpg?v=1764349262"},{"product_id":"white-sun-of-the-desert-blu-ray","title":"White Sun Of The Desert (Blu-ray)","description":"\u003ch1\u003eOne of the most popular Soviet movies ever made, this classic Red Western is in the vein of HIGH NOON and A FISTFUL OF DOLLARS\u003c\/h1\u003e \u003cp\u003eWHITE SUN OF THE DESERT (BELOE SOLNTSE PUSTYNI) - 1970, Mosfilm, 84 min.  \u003cbr\u003e'Have you been here long?' quips laconic, seemingly un-killable Red Army soldier Fyodor to a man he's just discovered buried up to the neck in the middle of the desert.  Director Vladimir Motyl's surreal action classic is arguably the most entertaining and beloved of the Soviet 'Osterns' inspired by films like STAGECOACH, HIGH NOON and 1960s Spaghetti Westerns (and certainly by Kurosawa's YOJIMBO as well.)  Set during the Russian Civil War, the story follows Fyodor (Anatoliy Kuznetsov) tramping across the endless sands of Turkmenistan and desperate to get back home to his wife -- when he's diverted into guarding a harem of Muslim women caught in a struggle between a renegade Red Army unit and local Basmachi guerillas led by Abdullah (Kakhi Kavsadze).  Filled with endlessly-quotable dialogue and song lyrics -- 'A knife is good for he who has it -- and it's bad for he who doesn't at the right moment'  and 'No luck in dying, I'll have luck in love' are two gems --, WHITE SUN is as visually striking as Leone's A FISTFUL OF DOLLARS, with its resourceful hero waging a one-man battle against the bandit chieftain and his army.  (It also has a surprisingly feminist theme with Fyodor encouraging the niqab-wearing women to take control of their destinies:  'Comrade women, the revolution has set you free!' he exhorts them.)  The best comparison, though, may be to Georgiy Daneliya's sci-fi masterpiece KIN-DZA-DZA! (also released by Deaf Crocodile):  both films are about Everyman Russians trapped in surreal alien desert landscapes, and rather than freaking out, responding in the most matter-of-fact ways to whatever strange misfortunes they encounter.  One of the most popular Soviet films ever made, WHITE SUN has been beautifully restored by Mosfilm for its first-ever U.S. Blu-ray release through Deaf Crocodile, in association with Seagull Films.  In Russian with English subtitles.\u003cbr\u003e\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1st ever U.S. Blu-ray release\u003c\/li\u003e\n\u003cli\u003eNewly restored by Mosfilm\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by film historian Rolf Giesen\u003c\/li\u003e\n\u003cli\u003eNew essays by Russian film scholar Peter Rollberg\u003c\/li\u003e\n\u003cli\u003eNew essay by film critic Walter Chaw\u003c\/li\u003e\n\u003cli\u003eNew video interview with Russian expert on Red Westerns, author Sergey Lavrentyev\u003c\/li\u003e\n\u003cli\u003eNew artwork by Beth Morris\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie with FIdelity in Motion\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Anatoliy Kuznetsov\u003c\/li\u003e\n\u003cli\u003e      Kakhi Kavsadze\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Vladimir Motyl\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Action\/Adventure\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Russian  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 84 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 03\/24\/26\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568576\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":47201412415737,"sku":"DC-049CD","price":23.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-049CD.jpg?v=1767983094"},{"product_id":"song-of-the-miraculous-hind-4k-uhd-blu-ray-combo-4k-ultra-hd","title":"Song Of The Miraculous Hind [4K UHD + Blu-ray Combo] (4K Ultra HD)","description":"\u003ch1\u003eLegendary animator Marcell Jankovics' dazzling, multicolored masterpiece depicts thousands of years of Hungarian myths and culture\u003c\/h1\u003e\n\u003cp\u003eSONG OF THE MIRACULOUS HIND (ÉNEK A CSODASZARVASRÓL), 2002, N.F.I. 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Divided into four sections, the film opens in a violent snowstorm, with nomadic hunters stalking deer and woolly mammoth and singing songs of their spiritual brethren - and it ends millennia later, with Géza, Grand Prince of the Hungarians, who helped bridge the gap between Paganism and early Christianity. Filled with cascading imagery of mythical She-Deer, of legendary brothers Hunor and Magyar, of forest spirits, gorgeous birds of fire and streams of silvery fish, SONG is easily the visual equal of SON OF THE WHITE MARE and TRAGEDY OF MAN in Jankovics' filmography As the ancient ballad sings: 'The wonderful hind of their dreams ran ahead of them.' Featuring the voices of Árpád Besenczi, Ildikó Bokor, Róbert Bolla and others. 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Legendary animator Bill Plympton's (THE TUNE, MUTANT ALIENS) cheerfully unhinged and wildly hormonal tribute to 1950s teen romance opens on star quarterback Rod (voiced by Dermot Mulroney) and head cheerleader Cherri (voiced by Sarah Silverman) as the unchallenged king \u0026amp; queen of Echo Lake H.S.. Enter scooter-driving Spud (Eric Gilliland) as the bumbling New Kid in School, who quickly runs afoul of Rod and Cherri - but will love unexpectedly blossom between the Geek and the Prom Queen? Filled with reanimated frogs, writhing teenage tongues \/ tonsils \/ lips, deranged parodies of drive-in flicks like THE BRAINEATERS, and (of course) a sea of gravity-defying, Dr. Seuss-like hairstyles (our favorite visual gag? Rod's football helmet is shaped like his massive hairdo), this is Plympton's cheeky musical take on REBEL WITHOUT A CAUSE, GREASE, HAIRSPRAY and BYE BYE BIRDIE. 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Known for his daring narratives and circular structures, Shahram Mokri crafts mysteries that unfold like dreams--at once suspenseful, surreal, and deeply human.\u003c\/p\u003e\u003cp\u003eThis four-film collection includes \u003ci\u003eCareless Crime (Jenayat-e Bi Deghat)\u003c\/i\u003e, \u003ci\u003eFish \u0026amp; Cat (Mahi va Gorbeh)\u003c\/i\u003e, \u003ci\u003eInvasion (Hojoum)\u003c\/i\u003e, and \u003ci\u003eAshkan, The Charmed Ring and Other Stories (Ashkan, Angoshtar-e Motebarek va Dastan-Haye Digar)\u003c\/i\u003e, each newly presented with exclusive interviews and behind-the-scenes material.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eCareless Crime\u003c\/i\u003e (2020) interlaces three distinct timelines--of arsonists plotting to torch a movie theater, of the audience within, and of the film being screened inside that theater--into a mind-bending reflection on cinema, memory, and national trauma. 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Shot in crisp black-and-white, its interconnected vignettes recall the cool detachment of \u003ci\u003eStranger Than Paradise\u003c\/i\u003e and the stylized violence of \u003ci\u003eReservoir Dogs\u003c\/i\u003e, weaving chance and consequence into a melancholy urban mosaic.\u003c\/p\u003e\u003cp\u003eFinally, \u003ci\u003eInvasion\u003c\/i\u003e (2017) ventures into futuristic noir. In a dimly lit sports complex where time seems suspended, tattooed athletes, detectives, and possible vampires collide in a looping investigation that merges crime story, science fiction, and existential puzzle.\u003c\/p\u003e\u003cp\u003eBonus features include an all-new four-part interview series with Shahram Mokri discussing the making of each film, along with rare behind-the-scenes footage from \u003ci\u003eCareless Crime\u003c\/i\u003e featuring Mokri's own commentary. 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'I was on call to drive to a mountain hotel. The hotel's name was The Dead Mountaineer,' says police inspector Peter Glebsky (Uldis Pūcītis) at the beginning of Estonian director Grigori Kromanov's dazzling, paranoid mixture of locked-room mystery, 1970s Euro giallo, classic noir whodunit, and (unbelievably) alien sci-fi ala THE MAN WHO FELL TO EARTH. Based on a novel by famed Soviet authors Arkady and Boris Strugatsky (STALKER, HARD TO BE A GOD), the hall-of-mirrors plot follows Glebsky as he's trapped by avalanche in the ski lodge with a rogues' gallery of weird suspects: tubercular gangster Hinckus (Mikk Mikiver), creepy hotel owner Snewahr (Jüri Järvet, KING LEAR), a wall-climbing physicist (Lembit Peterson), a louche, wig-wearing beauty out of a Bryan Ferry song (Irena Kriauzaite) - oh, and the Dead Mountaineer's faithful St. Bernard. The interior of the hotel (brilliantly art directed by Tõnu Virve and Priit Vaher, and photographed by Jüri Sillart) is straight out of a Dario Argento or Sergio Martino thriller: all chrome-and-marble with Space Age modern designs, drenched in champagne and feather boas. Featuring a stellar electronica \/ prog score by composer Sven Grünberg, the film combines an eerie THE SHINING-like mountain locale with speculative sci-fi straight out of Chariots of the Gods. 'This is the end of the road. The only way is back,' as the hotel owner cryptically smiles. Newly restored in 4K by Deaf Crocodile in collaboration with the Estonian Film Institute and Film Archive. In Estonian with English subtitles.\u003c\/p\u003e\n\u003ch2\u003eMedia\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=dtGpRanXIp0\" target=\"_blank\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003eBonus Materials\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003eNew 4K restoration from new 4K interpositive scan by Craig Rogers and Michael Coronado for Deaf Crocodile and color grade by Tyler Fagerstrom.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003eFirst-ever Worldwide 4K UHD + Blu-ray release\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003eNew commentary by film historian Michael Brooke\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003e“Snow Job: A Routine Investigation in Dead Mountaineer’s Hotel” - new visual essay by Ryan Verrill \u0026amp; Dr. Will Dodson of Someone’s Favorite Prod.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003eExcerpt from the documentary BONUS TRACK (2016, dir. 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'Long wandering,' a voice whispers in the brain of a man staggering along a misty riverbank, the night as fog-shrouded as his shattered mind. Czech director Otakar Vávra's astonishing KRAKATIT is a literal fever dream of a movie that mixes 1940s Film Noir, paranoid thriller and speculative atomic-bomb Sci-Fi in the story of a chemist named Prokop who hallucinates fragments of how he's invented a proto-nuclear weapon -- and the mystery of what's happened to the formula for it. The film has overtones of Rudolph Maté's classic Noir D.O.A. (seriously-ill man racing against the clock), 1940s Orson Welles films like THE STRANGER and THE LADY FROM SHANGHAI (stunning deep-focus B\u0026amp;W photography, atmosphere of surreal paranoia), and Hitchcock's SPELLBOUND (distorted dream sequences). Karel Höger delivers an unforgettable performance in the lead, grasping at his own memories like a walking ghost. Based on a 1924 novel by famed sci-fi author Karel Čapek (who invented the word 'robot' in his play R.U.R.), the film's unique structure of memories within memories within flashbacks are like Russian nesting dolls -- all shot by DOP Václav Hanuš in some of the most remarkable B\u0026amp;W images since NIGHT OF THE HUNTER. Long wandering, indeed. Beautifully restored in 4K by the Národní filmový archiv (NFA) in Prague in collaboration with the National Film Institute (NFI) in Hungary. Deaf Crocodile is thrilled to present the first-ever 4K UHD + Blu-ray release for this overlooked classic of Czech cinema and World Noir, co-presented with the Comeback Company. In Czech with English subtitles.\u003c\/p\u003e\n\u003ch2\u003eMedia\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zlax1HlX6ig\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eBonus Materials\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1st ever World 4K UHD + Blu-ray release\u003c\/li\u003e\n\u003cli\u003eNew restoration from original 35mm nitrate negative in 4K\u003c\/li\u003e\n\u003cli\u003eNew essay by Czech film scholar Jonathan Owen\u003c\/li\u003e\n\u003cli\u003eNew essay by film critic Walter Chaw\u003c\/li\u003e\n\u003cli\u003eNew visual essay by film scholar Clayton Dillard\u003c\/li\u003e\n\u003cli\u003eVideo interview on the film’s restoration w\/ Tereza Frodlová, Restoration and Curatorship, Národní filmový archiv, Prague\u003c\/li\u003e\n\u003cli\u003eNew artwork by Beth Morris\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie with FIdelity in Motion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e      Karel Höger\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Otakar Vávra\u003c\/p\u003e\n\u003ch2\u003eAdditional Details\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Film Noir\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Czech\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 101 mins\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 05\/12\/26\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568781\u003c\/p\u003e","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":47498456727801,"sku":"DC-050CD-R","price":29.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-050CD-R.jpg?v=1773235909"},{"product_id":"defa-fairy-tale-films-snow-white-little-red-riding-hood-the-devils-three-golden-hairs-2-more-blu-ray","title":"DEFA Fairy Tale Films: Snow White, Little Red Riding Hood, The Devil's Three Golden Hairs \u0026 2 More (Blu-ray) PREORDER","description":"\u003ch1\u003eA 5-film set of wildly surreal and colorful fantasy \u0026amp; fairy tale films from East Germany's DEFA Studios from the 1960s to 1970s\u003c\/h1\u003e \u003cp\u003eThe wildly surreal, music- and color-saturated world of fairy tale films or Märchenfilme from East Germany's DEFA Studios are one of the great, still-overlooked subgenres in world fantasy filmmaking.   Part Sid \u0026amp; Marty Krofft Saturday morning kiddie psychedelia, part sturdy Socialist moralizing, the Märchenfilme were one of DEFA's most popular genres from the 1950s to 1970s.  \u003cbr\u003eSNOW WHITE (SCHNEEWITTCHEN) - 1961, dir. Gottfried Kolditz.  This lovely live-action version of the classic Bros. Grimm tale is in many ways the prototypical DEFA fairy tale film, with Doris Weikow radiating storybook charm as Snow White.\u003cbr\u003eLITTLE RED RIDING HOOD (ROTKÄPPCHEN) - 1962, 72 min., dir. Götz Friedrich.  Red Riding Hood (Blanche Kommerell) faces off against some of the mangiest and most terrifying forest creatures ever conceived, including The Big Bad Wolf (Werner Dissel) -- basically an American Werewolf in East Germany.  Sure to give your 6-year old self nightmares for life.\u003cbr\u003eMOTHER HULDA (FRAU HOLLE) - 1963, 57 min., dir. Gottfried Kolditz.  Lazy daughter Pechmarie (Katharina Lind) and hardworking stepdaughter Goldmarie (Karin Ugowski vie for the approval of magical Frau Holle, who lives in an insanely artificial Pee Wee's Playhouse-meets-Lidsville underground world.\u003cbr\u003eTHE DEVIL'S THREE GOLDEN HAIRS (WER REIßT DENN GLEICH VOR'M TEUFEL AUS)  - 1977, 92 min., dir. Egon Schlegel.  Crazy fantasy\/comedy about a clumsy young man (Hans-Joachim Frank), who is forced to rob three hairs from the Devil (Dieter Franke). The Devil's psychedelic lair with shrunken heads and gruesome Halloween décor must be seen to be believed.\u003cbr\u003eSNOW WHITE AND ROSE RED (SCHNEEWEIßCHEN UND ROSENROT) - 1979, 70 min., dir. Siegfried Hartmann.  Excellent fantasy \/ fairy tale about peasant girls Snow White (Julie Juristová) and Rose-Red (Katrin Martin) trying to outwit an enraged dwarf (Hans-Peter Minetti) guarding a jewel-filled mine. 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Built around interlocking storylines--a fatal gun deal, a film production in progress, and a woman confined within her home--the narrative evolves through repetition, mirrored identities, and uncanny coincidences, blurring the boundaries between reality, fiction, and the act of filmmaking itself.\u003c\/p\u003e\u003cp\u003eMokri first gained international recognition with \u003ci\u003eFish \u0026amp; Cat\u003c\/i\u003e (2013), a single-take thriller celebrated for its fluid camera movement and cyclical structure, followed by \u003ci\u003eInvasion\u003c\/i\u003e (2017), which further developed his fascination with temporal dislocation and narrative recursion. His later film \u003ci\u003eCareless Crime\u003c\/i\u003e (2020) deepened these themes, intertwining past and present through a meta-cinematic reflection on a real-life historical tragedy. With \u003ci\u003eBlack Rabbit, White Rabbit\u003c\/i\u003e, Mokri extends this body of work into even more abstract territory, employing doubles, doppelgängers, and symbolic objects--most notably a mysterious firearm--to create a shifting network of cause and effect that resists linear interpretation.\u003c\/p\u003e\u003cp\u003ePremiering at the 30th Busan International Film Festival, where it received the Vision Asia Award, the film went on to screen at major festivals including BFI London, Chicago, and Singapore, further solidifying Mokri's reputation as one of contemporary cinema's most formally inventive directors. This U.S. release includes three rare early short films (\u003ci\u003eThe Dragonfly Storm\u003c\/i\u003e, \u003ci\u003eLimits of the Circle\u003c\/i\u003e, and \u003ci\u003eAndo-C\u003c\/i\u003e), a new audio commentary, and a visual essay exploring the film's intricate design. 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Based on the long-running and hugely popular PILI franchise (launched in 1984), the film transforms elaborate wuxia storytelling into a visually striking puppet-driven epic filled with swordplay, supernatural forces, and mythic conflict. Set in the martial world of Wulin, the story follows the noble warrior Su Huan-Jen and his allies as they battle the sinister Mo Kuei and his spectral assassins, 'The Unkind,' to prevent them from seizing the all-powerful Sacred Stone.\u003c\/p\u003e\u003cp\u003eFusing the aesthetics of classic Shaw Brothers cinema with unexpected tonal and visual influences, \u003ci\u003eLegend Of The Sacred Stone\u003c\/i\u003e evokes everything from \u003ci\u003eThe 36th Chamber of Shaolin\u003c\/i\u003e to \u003ci\u003eThunderbirds Are Go\u003c\/i\u003e, \u003ci\u003eTeam America: World Police\u003c\/i\u003e, and The Dark Crystal. The result is a singular cinematic experience where intricately designed puppets engage in gravity-defying combat--leaping, spinning, and even riding flying swords--while navigating a world of hidden tombs, lakes of fire, and mystical energies. Equal parts operatic and surreal, the film balances intense action with moments of humor and theatricality, particularly through the bizarre and charismatic villains whose exaggerated personalities add a unique flavor to the narrative.\u003c\/p\u003e\u003cp\u003eThis first-ever U.S. release presents the film in its original Taiwanese Hokkien language with English subtitles, accompanied by a robust set of bonus materials including a new interview with Huang and the PILI puppeteering team, an audio commentary by puppeteer and filmmaker Ben Wolf Page, and a visual essay by film historian Evan Chester. 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'It's the only thing Planet Earth can teach us: the vibrations of Youth,' as the androgynous Alphoids, led by veteran British actor Roy Dotrice, tell Olivia \u0026amp; band. A jaw dropping, must-be-seen-to-be-believed combination of 'Josie \u0026amp; The Pussy Cats' and THE MAN WHO FELL TO EARTH, the film is filled with super-groovy Sunshine Pop tunes, student protests and carefree sexual hijinks -- plus aliens. (The Alphoids' glimmering ship is like Superman's Fortress of Solitude on ecstasy, one of the film's highlights.) Directed \u0026amp; written by the great British filmmaker Val Guest (the first two QUATERMASS films, THE DAY THE EARTH CAUGHT FIRE) in his most Pop-friendly, CASINO ROYALE-style, TOOMORROW was produced by James Bond 007 co-producer Harry Saltzman and veteran American music impresario Don Kirshner, who were intent on creating another The Archies\/The Monkees style sensation. The other band members include guitarist\/vocalist Benny Thomas, fringe-jacket wearing drummer Karl Chambers (who played with Philly-area groups like MFSB and Archie Bell \u0026amp; The Drells), and keyboardist Vic Cooper - but it's clearly Newton-John with her irresistible smile, blonde locks and dollybird clothes that's the superstar of the group. (Her slang dialogue of 'Not you, you drongo!' is a great throwaway nod to her Aussie roots.) Released for barely a week on its original 1970 run and unseen for decades, TOOMORROW has been restored by the British Film Institute and Deaf Crocodile from the original 35mm negative for the first time. 'Sure, I dig it. We're too much. 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Bernard Coyne) – stark experimental film documenting an avant-garde performance at the Camden Roundhouse, one of the locations used in TOOMORROW.\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by author \u0026amp; music historian Andrew Sandoval.\u003c\/li\u003e\n\u003cli\u003e-“Toomorrow:  Musical Humanism Through the Stars” –  new visual essay by film critic Celeste de la Cabra (12 min.)\u003c\/li\u003e\n\u003cli\u003eNew visual essay by Someone’s Favorite Productions featuring a 1988 audio interview for the British Entertainment History Project with director Val Guest discussing his work on TOOMORROW, moderated by Roy Fowler (10 min.)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eCast \u0026amp; Crew\u003c\/h2\u003e\u003cstrong\u003eActors:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e      Olivia Newton-John\u003c\/li\u003e\n\u003cli\u003e      Roy Dotrice\u003c\/li\u003e\n\u003cli\u003e      Benny Thomas\u003c\/li\u003e\n\u003cli\u003e      Karl Chambers\u003c\/li\u003e\n\u003cli\u003e      Vic Cooper\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Val Guest\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e Harry Saltzman\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e Don Kirshner\u003c\/p\u003e  \u003ch2\u003eAdditional Details\u003c\/h2\u003e  \u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Deaf Crocodile\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Sci Fi\/Fantasy\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRun Time:\u003c\/strong\u003e 94 mins\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRegion:\u003c\/strong\u003e 1       \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 09\/22\/26\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850066568750\u003c\/p\u003e ","brand":"DEAFCROC","offers":[{"title":"Default Title","offer_id":48456519024889,"sku":"DC-057CD","price":22.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0815\/4889\/files\/DC-057CD.jpg?v=1780063624"},{"product_id":"hoffmaniada-blu-ray","title":"Hoffmaniada (Blu-ray) PREORDER","description":"\u003ch1\u003eA luminously beautiful Russian stop-motion animated feature based on the writings of famed Gothic author E.T.A. Hoffmann.\u003c\/h1\u003e \u003cp\u003eHOFFMANIADA - 2018, Soyuzmultfilm, 78 min. One of the most luminously beautiful and richly detailed stop-motion features in recent memory, Russian director Stanislav Sokolov's masterwork finally arrives in North America. Adapted from the writings of famed Gothic fantasy author E.T.A. Hoffmann (best known for The Nutcracker \u0026amp; The Mouse King), HOFFMANIADA is a visually stunning cross between Henry Selick circa JAMES \u0026amp; THE GIANT PEACH and THE NIGHTMARE BEFORE CHRISTMAS and Mozart's The Magic Flute, filled with operatic dreams, clockwork automatons, fire salamanders, witchcraft, love, magic, and the legendary city of Atlantis. Interweaving plots from three Hoffmann stories ('The Sandman,' 'The Golden Pot' and 'Little Zaches Called Cinnabar') with the real-life drudgery of the writer's job as a government clerk, the film utilized over 150 stop-motion puppets and was the first feature project in decades from legendary animation studio Soyuzmultfilm (THE SNOW QUEEN). Featuring the voices of Vladimir Koshevoy, Slava Polunin, Natalya Fisson and Anvar Libabov. 'Maybe the most ambitious stop-motion film ever made in Russia ... The puppets and animation in Hoffmaniada are breathtaking.' - Animation Obsessive.\u003cbr\u003eIn Russian with English subtitles.\u003c\/p\u003e    \u003ch2\u003eBonus Materials\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e“A Black-and-White Film” (Chyorno-beloe kino) – 1984, 19 min.  Sokolov’s early stop-motion gem follows a man who drifts away from his own party and into memories of his childhood days.\u003c\/li\u003e\n\u003cli\u003e-“Hoffmaniada:  Frame By Frame” (2018, 23 min., dir. 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